Rare Published Japanese Ceramic Bowl Makuzu Kozan with Original Inscribed Box - 2 Pieces

Details

Description

A rare published glazed ceramic bowl with surface paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916) with its original … Read more A rare published glazed ceramic bowl with surface paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916) with its original inscribed tomobako storage wood box. Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and specifically, the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor.
The bowl was made to hold sweet cakes during the tea ceremony. It has a very distinguished form with a circular swelled lower body morphing into a square upper portion that further opening with flared rim. The surface has a distinct glaze pattern partitioned diagonally in black and brown. On top, snow-covered branches of prunus flowers were painted overglaze in a poetic near-abstract fashion. Blooming in winter, prunus flower is the symbol of the season and cherished for its resistance to cold. The bowl was likely reserved for the tea ceremony during the winter months.
A white porcelain plaque with Kozan in black inlay was placed on the black glaze toward the bottom. Under the base, the bowl was further branded with two incised characters "Makuzu" as shown. The original tomobako bears ink inscription and paper slip label "Sweet Bowl". It also has a small paper label "Michael Goedhuis Y2833". Under the lid, it was inscribed in ink Kanji "By special request. Snow on a clear sunny morning. Makuzu Kozan Made it" together with a red seal from the artist.
The piece was published in the book: Bridging East and West: Japanese Ceramics from Kozan Studio: Selection from the Perry Foundation. Ashmolean Musuem". See less