Nadia Jaber

    All items in this shop have sold

    Click follow me to be notified about new products from this shop.

    Are you looking for something specific?

    New Arrivals

    View all
    1. Vintage Boho Grid Rattan Sofa After Henry Olko For SaleProduct ID: 27595873
    2. Contemporary Large Equestrian Oil Painting. Horse Oil Painting For SaleProduct ID: 27596794
    3. Murano Glass Green Urn Lamps For SaleProduct ID: 27687551
    4. 1930s Engraved Snake Bracelet 14k For SaleProduct ID: 27509311
    5. Fernand Larue, Deauville Beach, Oil on Canvas For SaleProduct ID: 27542252
    6. Roll & Hill by Lindsey Adelman Agnes 14 Led Light Linear Chandelier in Black For SaleProduct ID: 23246486

    About

    Shop Banner

    Nadia Jaber (Barcelona, 1986) lives and works in Barcelona. Her work has been featured in “15 Emerging Female Artists To Invest in Before They Blow Up” selected by Saatchi Art Head Curator Rebecca Wilson, and her paintings have been included in interior design projects featured in AD Spain Magazine.
    Nadia Jaber’s paintings jump around, scrolling between textures, flipping tabs into new color palettes and stretching materiality. She riffs between styles and ideas, cutting and scratching them like a DJ would, to curate something entirely new. The eyes and mind can keep up of course, because we’re used to this hyperactive image intake - we do it all day, everyday on our phones. “about:blank” is Nadia’s series reflecting not just on our visual ADHD but on what the mysterious machines behind social media are making us want, or think we want, and what that means for art appreciation. How about the artist as a postdigitalist algorithm, an online magpie curating a found line, shape, and color to generate an analogue version of the digital stream of information. Nadia’s work is a full-scale rebellion against the smoke and mirrors of social media - her tactile paintings add new dimensions and demand to be looked at from every angle. The work is generative in that it’s a remix of some other artworks. Its narrative structure is set up to tell a new story every time you see it, depending on where you start. In a time where the online world is a flimsy lonely place, and the real is in fact keeping us company, shouldn’t we start analogue-izing rather than digitizing?