Luigi Bartolini, La Spiaggia, Original Etching, 1950

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The beach is an original artwork realized by the italian artist luigi bartolini (1892-1963) in 1950. Black and white etching. … Read more The beach is an original artwork realized by the italian artist luigi bartolini (1892-1963) in 1950. Black and white etching. Hand -signed, titled and numbered (7/50) in pencil on the lower margin. Edition of 50 prints. Reference: 1951 c.a. Petrucci, the engravings of luigi bartolini, romaa national football, n. 1056 (e.g. 6) 1952 l. Bartolini, the unique or rare specimens, publisher gherardo casini rome 1962 g. Ronci, the engravings of luigi bartolini, national calcography rome, n. 1056 (eg 6) 1972 c. Barsanti, rayed catalog of the graphic work of luigi bartolini, galleria marino roma, n. 1214 exhibitions 1950 ligurian celle prize for the figurative arts (awarded) 1951 rome, vi quadriennale d'arte 1952 rome, galleria chiurazzi 1952 pisa, sala delle seasons 1954 rome, galleria chiurazzi 1954 livorno, bottega d'arte 1956 naples, san carlo gallery 1962 turin, galleria narciso good conditions except for some light folds and stains. Luigi bartolini (cupramontana, ancona, 1892 -rome, 1963) was a famous italian engraver, painter, and writer. Through his etchings, which often accompany his wrimentings, the artist led a research on light and on the signs of expressionist intonation. Among the literary works: bicycle thieves (1946); the mezzano alipio (1951); scabrosi tales (1963). Only after world war i, he dedicated himself entirely to engraving, achieving his first following 1932 at the italian engraving exhibition in florence. Etching, with him, became again an effective means of poetic expression. When he was young, he at least in literature and medicine in rome, siena, and florence. He participated for the first time in the venice biennial in 1928. At the first and second quadriennale of rome (1935 and 1939), he received the award for the best etching. He won another prize at the exhibition of italian engraving at the uffizi gallery in florence in 1932. In 1942, he participated in the xxii venice biennial, where he won the first prize for engraving. His illustrations and etchings are preserved in museums like the uffizi gallery, national gallery of london, biblothèque national of paris, national calcography of rome, and in various galleries of rome, milan, and turin. Several illustrations realized by bartolini appered in important reviews: bargello, circles, literary italy, the frontispiece, the wild, the tiber, etc. A refined artwork by one of the most excellent italian artists this piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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