Ferdinand Bac, Ulysses and the Sorceres, Original Lithograph, 1922

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Ulysses and the Sorceress is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and … Read more Ulysses and the Sorceress is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 1922. Original Lithograph on ivory paper. Perfect conditions. Ulysses and the Sorceress is an excellent Liberty artwork realized by Ferdinand Bac in the second decade of the XX Century. The work is in full Liberty style and depicts a man, Ulysses surrounded by two figures. The famous sorceress Circe appears on the upper left corner and a second female figure is going to stop him. They are into a sea cave and, on the background, we can see the surface of the sea. This work has been realized the French artist Ferdinand Bac (1859 - 1952). Ferdinand-Sigismond Bach, known as Ferdinand Bac was a French cartoonist, artist and writer, son of an illegitimate nephew of the Emperor Napoleon. As a young man, he mixed in the fashionable world of Paris of the Belle Époque, and was known for his caricatures, which appeared in popular journals. He also traveled widely in Europe and the Mediterranean. In his fifties, he began a career as a landscape gardener. He attended Adolphe Thiers, Gambetta, Richard Wagner, Victor Hugo, Taine, Villiers de L'Isle-Adam, Paul Verlaine, Maurice Barrès, Barbey d'Aurevilly, Alphonse Daudet, Guy de Maupassant, Verdi, Gounod, Pierre de Nolhac, and many more other famous people of the time. He established himself as one of the first cartoonists and caricaturists of his time, as famous as Albert Robida, Job, Sem, Jean-Louis Forain or Caran d'Ache. Ferdinand alternated between Colombières and a beautiful mansion in Compiègne that also belonged to the Ladan-Bockairys. There he met Marcel Proust, Jean Cocteau, Gabriele D'Annunzio and Anna de Noailles. Until the end of his life, Ferdinand Bac continued to travel, write and draw, reflecting on the political and historical development of the world. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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