Deck Chair by Lina Bo Bardi, 1958

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Description

This rare and exceptional deck chair, designed by Lina Bo Bardi and Giancarlo Palanti, is a striking example of mid-century … Read more This rare and exceptional deck chair, designed by Lina Bo Bardi and Giancarlo Palanti, is a striking example of mid-century Brazilian design. Manufactured by Studio d’Arte Palma in Brazil after 1958, it combines architectural innovation with aesthetic beauty. Originally created for Casa Valéria Cirell in Morumbi, São Paulo, this lounge chair was crafted with the Brazilian climate in mind, specifically as an outdoor piece. The chair’s solid iron frame, finished in black, retains its original patina, further emphasizing its timeless elegance. The frame’s protective coating beneath the black finish ensures its durability against the humidity of the Brazilian environment, a thoughtful detail that speaks to both function and form. The leather seat, which also boasts a stunning patina, showcases years of use and continues to add to the chair’s unique character. The leather’s rich, weathered appearance, visible from both the front and back, adds to the chair’s narrative of time and craftsmanship. One of the most captivating features of this design is the chair’s structure. It gives the illusion of being made from a single, continuous piece of metal. Its asymmetrical, low lounge shape is a work of engineering brilliance. The frame crosses in the middle, allowing the chair to tilt and move fluidly when you sit, a testament to the ingenuity of Bo Bardi and Palanti. This dynamic feature was meticulously tested to ensure that it was both strong and functional, leading to the decision to use solid spring steel for the structure. with its high carbon content, the spring steel offers the perfect balance of strength, stiffness, and flexibility, providing support while also allowing for subtle movement. This chair is not only a rare find but also a significant piece of design history. Created by one of the greatest female architects of the 20th century, Lina Bo Bardi, it is truly a museum-worthy object, combining elegance, functionality, and innovation. Its unique design and craftsmanship make it a valuable and exceptional piece, deserving of its place in the annals of modern design. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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