Totem by Elisabeth Vandeweghe for Perignem, Belgium, 1970s

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A rare limited‑edition ceramic totem from the celebrated Perignem atelier, this 1970 work by Belgian artist Elisabeth Vandeweghe captures the … Read more A rare limited‑edition ceramic totem from the celebrated Perignem atelier, this 1970 work by Belgian artist Elisabeth Vandeweghe captures the bold sculptural language that defined the country’s mid‑century ceramic movement. Numbered 18/50, the piece belongs to a small, highly sought‑after series that exemplifies Perignem’s commitment to artistic experimentation and refined craftsmanship.

Vandeweghe’s totem is a striking composition of rhythmic symmetry and sculptural abstraction. Crafted in ceramic with refined detailing and a rich, tactile surface, the piece embodies the atelier’s signature blend of craftsmanship and avant‑garde sensibility. The interplay of curves, recesses, and geometric motifs gives the sculpture a totemic presence—both modernist and ritualistic in spirit.

Numbered 18/50, the work reflects the limited‑edition artistic production that Perignem embraced during this period, offering collectors a piece that is both rare and deeply representative of the studio’s creative identity. Its vertical form and layered structure make it a commanding focal point, whether displayed on a pedestal or integrated into a curated interior.

Perignem—founded by Rogier and Elisabeth Vandeweghe—was a driving force in elevating Belgian ceramics beyond functional ware, positioning the medium firmly within the realm of contemporary art. This totem stands as a testament to that legacy: expressive, modern, and unmistakably crafted by hand.

Perfect for collectors of European mid‑century ceramics, abstract sculpture, or Belgian design heritage, this totem stands as a testament to the artistic innovation that defined Perignem’s legacy.

A sculptural object of presence, balance, and unmistakable mid‑century character. This piece has an attribution mark,
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