Maxfield Parrish Enchantment Original Lithograph C.1920s Framed Print 16x24

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Depicting a draped luminous medieval lady in a nocturnal garden, this image is reminiscent of a Guinevere archetype, a beautiful … Read more Depicting a draped luminous medieval lady in a nocturnal garden, this image is reminiscent of a Guinevere archetype, a beautiful maiden framed by that luminous cobalt blue background for which Parrish was so well known. In original art gallery blue and gold frame. Measures 16 x 24" framed. Print is in antique condition with bright vivid colors though she does have a tear and other issues in the upper left corner of the print and age related wear on frame. Please examine all pictures to make sure that the condition of the wear is satisfactory to you before purchasing and feel free to ask any questions.

Enchantment l Cinderella is a very desirable image from Maxfield Parrish's body of work. Here is some other info I found about the piece, in case it is of interest:


The artwork is characteristic of Parrish's distinctive style, which is known for its luminous colors and idealized, dreamlike imagery.
Glazing Technique: Parrish achieved the work's glowing quality and saturated hues (including the famous "Parrish blue") by applying numerous alternating layers of translucent paint and varnish over a blue and white monochrome underpainting.
Subject Matter: The piece features a solitary figure, presumably Cinderella, draped in white clothing against a deep cobalt sky, evoking a sense of fantasy and suspended motion.
Movement: Parrish was part of the American Imagists movement, influenced by European styles like Art Nouveau and the Arts and Crafts Movement.


Enchantment" is a famous oil painting by the American artist Maxfield Parrish, originally titled "Cinderella" when created around 1914. The title was later changed to Enchantment when it was used for a General Electric Mazda Lamp calendar in 1926.

Artist: Maxfield Parrish (American, 1870-1966).
Date: 1914 (some sources suggest 1913/1909).
Original Use: It was originally painted as an illustration for Hearst's Magazine, but was instead used as a cover for Harper's Bazaar in March 1914. See less