Circle of Isaac De Moucheron, Renaissance Garden Landscape with Knights, 1700, Oil on Canvas

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Description

Isaac de moucheron (amsterdam 1667 - 1744) circle
renaissance garden with a knightly feast

oil on canvas

70 x 98 … Read more Isaac de moucheron (amsterdam 1667 - 1744) circle
renaissance garden with a knightly feast

oil on canvas

70 x 98 cm. - framed 106 x 133 cm.

we present this delightful composition, where a sumptuous italian garden serves as the backdrop for a show of knights, specifically a carousel, a type of equestrian and theatrical event popular in european courts between the 16th and 18th centuries, where costumed knights performed feats of skill on special occasions.

the composition is dominated by two knights in the foreground who appear to be waiting to perform astride their steeds, while behind them others await their turn, dressed in ceremonial robes, red and gold cloaks, and elaborate headdresses.

the scene depicts a courtly event, as was common in historic italian gardens and villas: such events were often staged to celebrate weddings, royal visits, or other important occasions, as we can imagine from the presence of the two trumpeters in the foreground announcing the participants with the sound of their instruments, adding a sense of grandeur to the event depicted.

in the background stands a renaissance-style architectural structure in light stone, topped with sculptural figures and surrounded by garden vegetation, reminiscent of a monumental fountain or the façade of a palace. A couple, perhaps rulers, are positioned in the center as if on a throne, flanked by other figures attending the spectacle.

the painting captures the festive and ceremonial atmosphere of such courtly entertainments.

the work, likely taken from a real location, is certainly inspired by one of the many gardens that graced the large villas on the hills between florence and rome. Our author must have drawn inspiration for the setting from the famous series of prints entitled fountains of rome (1680) by giovanni battista falda (1643-1678), some of whose detailed photographs are included.

given the work's stylistic characteristics, undeniably in line with 17th-century flemish culture, we are inclined to attribute its work to one of the nordic painters who came to study in the eternal city. In particular, there are many iconographic and stylistic parallels with a specific iconographic trend adopted by the flemish painter isaac de moucheron (amsterdam 1667-1744) during his stay in rome, and the artist could therefore likely be found within his circle.

additional information:

the painting is sold complete with a beautiful gilded frame and comes with a certificate of authenticity and an iconographic. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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