Original Serigraph “Time Square New York “ by Tom Christopher

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Original Serigraph “Time Square New York “ by Tom Christopher signed lower right numbered lower left 8/16. Comes with a … Read more Original Serigraph “Time Square New York “ by Tom Christopher signed lower right numbered lower left 8/16. Comes with a book on the serigraphs of Tom Christopher. Unframed. Image size: 25 x 33, paper size 32 x 40.

What George Gershwin did for an American in Paris, Tom Christopher does for New York." by Gerard Haggerty, Writer for ARTnews and a teacher at Brooklyn College, City University of New York.

TOM CHRISTOPHER BIOGRAPHY

"Monet had his water lilies and Tom Christopher has Times Square." --The New Yorker

Tom Christopher is a classically trained draughtsman. He received a BFA from the Art Center College in Los Angeles, studying with the legendary Disney animator Ward Kimball and the painter Lorser Fietelson. He then worked for Peterson Publishing drawing automobiles for Motor Trend Magazine, drawing portraits at Disneyland and creating rock posters for CBS Records.

After moving to New York in 1981 he went on drawing assignments with Meredith Vieira and John Stossel covering courtroom drama for CBS News in downtown Manhattan. This experience in part formed the foundation for a narrative and journalistic approach to his art.

Although born in Hollywood, and steeped in the LA hot rod / skateboard culture, he became obsessed with painting household objects and tools on a Brobdingnagian scale, exhibiting in galleries in the East Village. He would always carry a sketchbook, endlessly drawing and recording everything from subways to skyscrapers.

In 1987, NYC was a dark city, crime ridden and gripped by fear. But, as he put it: "One day walking around Times Square, the clouds cleared and I had an epiphany of sorts. The City exploded in a blaze of expressionistic colors with the brilliant laser white light sculpting the buildings, cabs, messengers and scurrying figures. At once I realized my mission; try and capture the narrative, the beauty and the magnetic pull of the epicenter of this modern urban city."

Now his subject matter is largely focused on the streets of New York. But calling him a New York painter would be as much a mistake as it would be to dismiss Kirchner as a Berlin cityscene painter. They have both used the subject of the city as a launching pad to explore the many aspects of man's struggle in an urban environment. Indeed, this theme is universal as his paintings have found a following in Europe, especially Paris, Germany and Tokyo. See less