Details
Description
Marcel bascoulard (1913-1978)
portrait de l'artiste travesti en femme, en robe, debout dans une cour (portrait of the artist disguised …
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Marcel bascoulard (1913-1978)
portrait de l'artiste travesti en femme, en robe, debout dans une cour (portrait of the artist disguised as a woman, in a dress, standing in a courtyard)
original black and white photograph by the artist, on paper "gevaert ridax. N°e825"
87 x 60 mm
1944
good condition
provenance: gift of the artist to a friend (madame m. Decrequy), then to heirs
authenticity confirmed by the biographer of bascoulard, patrick martinat.
a unique opportunity to own an original vintage photograph by rebel artist marcel bascoulard - his photos being in important worldwide collections, including the one of françois pinault.
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the artist
marcel armand bascoulard-mulet (10 february 1913 – 12 january 1978) was a french photographer, illustrator, painter, poet, and designer. He is known for his prolific self-portraits produced throughout his life which featured him wearing handmade dresses. He is often referred to as the "diogenes of bourges."[1]
bascoulard was born in vallenay to léon bascoulard and marguerite bascoulard (née mulet) and grew up in saint florent-sur-cher. He was known to add his mother's surname along to "bascoulard." as a child, he wished to become a train engineer. In 1932, when bascoulard was 19, his mother shot and killed his father after attempting to flee, and was committed to the beauregard psychiatric hospital for the rest of her life. This event traumatized the young man, as he was very close with his mother.
after his father's death, bascoulard moved to the neighbourhood of avaricum in bourges, to be closer to the mental asylum where his mother stayed. Here, he would live the rest of his life as a vagrant. He studied at the école des beaux-arts. He began his career as an artist by making landscapes of the city's and nearby suburbs' streets, architecture, and nature and in ink, gouache, and lithography. He would go on to use pastels and paint, as well and later dabbled in abstraction. He made a living selling or trading his art with locals.
in 1937, his art was featured in the international exhibition of arts and techniques in paris.
self-portraits (dressed as a woman, in hand-made dresses)
bascoulard began his series of photograph self-portraits in 1942, a practice which he would continue until his death. In these self portraits, he wears handmade gowns, often paired with parasols and handbags. He is quoted with saying:
"if i sometimes walk around dressed like a woman, it’s because i find this apparel more aesthetic. For the purpose of art, [\.] i put on women's clothing."
these photos were taken by local friends and acquaintances. The dresses were designed by bascoulard and tailored by local seamstresses.
having a life-long interest in locomotives, bascoulard took photographs of trains and drew maps. He also wrote poetry.
bascoulard was a well known figure by the townspeople bourges, though at the same time was outcasted. He enjoyed riding around the town on a tricycle.
bascoulard was defiant towards police and the german occupation. During world war ii, he germanized "mulet" with an umlaut, making it "mület," in mockery of the nazis. In 1942, he was suspected of espionage while drawing trains at a train station and was sent to bordiot prison in bourges. He was later arrested again in 1952 for cross-dressing. He was known to adorn his outfits with signs saying "screw society," which attracted further attention from authorities.
in addition to french, bascoulard also spoke german, english, swedish, and russian. He was known for having a photographic memory. He owned several cats which he took care of.
in 1978, bascoulard was murdered by strangulation. His body was found in the vacant lot he had been living in asnières-les-bourges. 23-year-old jean-claude simon was convicted for the murder.
he is buried in the st. Lazare cemetery in bourges.
posthumous recognition
bascoulard's work has been shown extensively in europe. He has had exhibitions at musée d’art moderne et contemporain in saint-etienne, the fort institute of photography in warsaw, halle saint pierre in paris; the musée de grenoble, grenoble, the punta della dogana in the pinault collection, venice, and during the rencontres de la photographie in arles, france.
he was first shown in the united states in 2021, in the seminal exhibition photo brut at the american folk art museum. This piece has an attribution mark,
i am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution
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- Dimensions
- 2.36ʺW × 3.15ʺH
- Period
- 1940s
- Country of Origin
- France
- Item Type
- Vintage, Antique or Pre-owned
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use. Very Good — This vintage item has no defects, but it may show slight traces of use. less
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