Picasso Poster, "Girl Before a Mirror", From the Museum of Modern Art, Unframed

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Offered is an unframed poster from The Museum of Modern Art (MoMA) in New York of Pablo Picasso's "Girl Before … Read more Offered is an unframed poster from The Museum of Modern Art (MoMA) in New York of Pablo Picasso's "Girl Before a Mirror", Paris, March 14, 1932. "Girl Before a Mirror" is a 1932 oil painting that depicts a young woman looking into a mirror. The painting is in the Cubist-Modernist style and is part of the History painting genre. It is currently on display at the Museum of Modern Art in New York City. The painting is a portrait of Marie-Thérèse Walter, Picasso's mistress and muse. It was a gift to the MoMA from Mrs. Simon Guggenheim.
It measures 24" wide by 31" long, currently rolled in original MoMA packaging.
The printed art measures 20.875" by 25.75"

From Picasso (dot) org:
Girl Before Mirror was painted in March 1932. It was produced in the style Picasso was using at the time and evoked an image of Vanity such as had been utilized in art in earlier eras, though Picasso shifts the emphasis and creates a very different view of the image. The work is considered in terms of the erotic in Picasso's art, and critics in different periods have offered their assessments of the work to show a wide range of reactions.
The young girl was named Marie Therese Walter and was painted multiple times during the 1930's by Picasso.
Girl Before a Mirror was painted during Picasso's cubism period. Picasso was an artist that was very bold with his artwork. Even with backgrounds that are normally placed to be a backdrop and mainly there to assist the main subject. He includes it within the painting to make it just as intense as the main focal point of the image.

From the MoMA website:
This image of a young woman and her mirror reflection is riotous in color and chockablock with pattern. It is one of the last in a major series of canvases that Picasso created between 1931 and 1932. According to The Museum of Modern Art’s founding director, Alfred H. Barr, Jr., Picasso said he “preferred this painting to any of the others,” which speaks to the painting’s dazzling visual and thematic complexity. Its primary subject is the time-honored artistic theme of a woman before her mirror, reinvented in strikingly modern terms. The girl’s smoothly painted profile, in a delicately blushing pink-lavender, abuts a heavily built-up and garishly colored frontal view in yellow and red. Allusions to youth and old age, sun and moon, light and shadow are compressed into a single multivalent face.

The female protagonist of Girl before a Mirror actively reaches out to embrace the mirror that frames her reflection—a nominally fleeting image that paradoxically displays a pronounced physicality. The picture’s rigorous symmetrical organization creates a structure against which the curves of the model’s head and body, as well as those of her reflection, register all the more strongly. Her ithyphallic left arm and testicular breasts continue the game of visual punning seen in Picasso’s other paintings and sculptures of the time, in which facial and bodily features double as male and female sex organs. See less