Signed 8/180 William Gatewood Panel Print Large Framed

Details

Description

Artist: William Gatewood (1943- 1994)

Date: 1990

Large: Diptych Screenprint

Size: 22 x 67 inches. 23 x 68 inches overall

… Read more Artist: William Gatewood (1943- 1994)

Date: 1990

Large: Diptych Screenprint

Size: 22 x 67 inches. 23 x 68 inches overall

Signature: Signed , dated lower right in pencil

Edition: 180. This one: 8/180



This richly colored screenprint diptych is by William Gatewood (1943-1994). It is in excellent condition.

Artist bio:

The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens.

Born in Utah, Gatewood lived most of his life in San Francisco, purchasing an old Victorian mansion in the Page Street district in 1982 which, over the next 12 years, was transformed into an elegant residence and studio. In the tradition of Whistler and Klimt, Gatewood incorporated his art in an application of paint, inks, gold leaf, metallic foils, rice paper screens and dimensional work throughout the mansion's architectural detail, enhancing the period decoration and creating a unified artistic vision. In keeping with that vision, the house is being maintained for public access by the William R. Gatewood Trust.

Part of the artist's vision included making his artwork available to the widest audience and, consequently, Gatewood thoroughly supported publication of his work in poster format. The last image published during his lifetime was "Olan Sun II," a profoundly meditative image contributed by the artist to The McGaw Foundation, a non-profit art industry endeavor which directly benefits charities committed to AIDS prevention, care and cure.

The artist, who aspired to merge art with each aspect of living, passed away due to complications resulting from the AIDS virus. In the several months preceding his death, Gatewood spoke often of the historical context created by the existence and effects of AIDS; knowing that his passing would be acknowledged as part of that continuum eased both the intellect and the spirit.

"My art is experiential. It is aimed at the heart. I work to create an energy field within each piece which may be felt by the viewer who shares my vision of beauty. I attempt to release the viewer into a sense of safety and play, and I call this place "Olan." I rely upon beauty to attract the eye and release the heart."





From askart:

After earning an MFA from the Otis Art Institute in Los Angeles, William Gatewood embarked on the career in fine art that would bring him international recognition. Some of his early work reflects influences of Matisse, Magritte, and Klimt. Space/sky combined with its opposite, object/mass patterns, has been his subject from early paintings and throughout his career.

Garewood's work tells a sublime story to attract the viewer with beauty, and to share a vision by engaging the mind with visual opposites. East/West, old/new, contrived/structural, durable/fragile, chaos/harmony - each visually playing off the energy created by the stress.

Through his work he celebrated the magic and wonder in the world. He worked to create an energy field within each piece that may be felt by the viewer who shares his vision of beauty; his work attempts to release the viewer into a sense of safety and play through the human traditions of pattern, textiles, architecture. He relies upon beauty to attract the eye and release the heart. In his words, he worked "...to represent human ideals by stimulating a sense of visual beauty."

William Gatewood often used paper with constructed wood structures, such as kites and panel pieces, to express flight, space, and fragility. Screens are used for creating environments for the viewer to manipulate, thus bringing the viewer into an individual sense of play or movement. The components of the surface are applied in transparent and/or opaque layers creating a lost and found rhythm. The visual complexity and the chaos of random drips and splashes are created with inks, paints, Japanese papers, and metallic leafing. The iconography of the East is often combined with a Western approach to painting.

William Gatewood always enjoyed physical space, making things to remind us of "home." In 1982, Gatewood purchased a rather timeworn Victorian mansion in San Francisco dating from the 1870's. A 12-year process of restoring the house followed, using many of the methods employed in his art. Eventually the house was transformed into an elegant residence and studio.

William Gatewood, who aspired to merge art with each aspect of living, passed away due to complications resulting from the AIDS virus in February 1994. In the month preceding his death, William Gatewood spoke of the historical context created by the existence and effects of AIDS; knowing that his passing would be acknowledged as part of that history eased both the intellect and the spirit. He had lived according to his self-prescribed maxim "Life is the Art."

Selected Corporate Collections

Site 311, Pacific Grove, CA

City Gallery, Sacramento, CA

Foster/White Gallery, Seattle, WA

Karl Bornstein Gallery, Los Angeles, CA

Ivory/Kimpton Gallery, San Francisco, CA

Kathryn Markel, New York, NY

Mirage Gallery, Santa Monica, CA

Tom Luttrell Gallery, San Francisco, CA

Arco Center for the Visual Arts, Los Angeles, CA

Edward Dean Museum, Banning, CA

Linda Farris Gallery, Seattle, WA

Comsky Gallery, Beverly Hills, CA

Collections

Security Pacific Bank, Los Angeles, CA

United California Bank, Los Angeles, CA

North America Aviation, Hartford, CT

Shell Oil Company of California

Bank of America, San Francisco, CA

Stanford University Hospital, Stanford, CA

Architectural Digest, Los Angeles, CA

Chitendon Corporation, Curacao

Saks Fifth Avenue, Beverly Hills/San Francisco, CA

Continental Bank, Chicago, IL

Trammell Crow, Los Angeles, CA

Doubletree Hotels, Los Angeles, CA

Citmar, San Francisco, CA

Sheraton Hotels, San Diego/Los Angeles, CA

Hyatt Hotels, San Francisco/Anaheim, CA

Transamerica Corporation, Los Angeles, CA

and many others

Education

MFA, Otis Art Institute, Los Angeles, CA

BFA, Otis Art Institute, Los Angeles, CA

BA, San Jose State University, San Jose, CA

Source: AskArt See less