- Room Accents & Accessories
- Wall Accents
- Marlon Brando at Home in Los Angeles, 1953 by S...
Marlon Brando at Home in Los Angeles, 1953 by Sid Avery 16x20
Marlon Brando was a Hollywood rebel but a Hollywood star nonetheless. He was photographed here for the "Saturday Evening Post" ...
moreMarlon Brando was a Hollywood rebel but a Hollywood star nonetheless. He was photographed here for the "Saturday Evening Post" article, "The Star Who Sneers at Hollywood," published June 6, 1953. This fine art print (silver gelatin) is one of our best sellers by renowned photographer Sid Avery. Limited edition print. 16x20 print unframed.
What photographer Sid Avery said about taking this photo:
"I always thought this photo of (Brando) to most depict the 1950s--with the bongos and African art. I was assigned by the "Saturday Evening Post" to do a few pictures of Brando on his first visit to Los Angeles for a film. He was living in a little shack up in Beverly Glen. I had called to get permission to shoot and he said, 'I can't give you any time--I'm leaving for New York. If you want to come in for a quick shot, I'll do it.' Brando was extremely relaxed, innovative and was thoroughly enjoyable. Plus, I must say, he was a very rewarding photographic subject even though he had an aversion to publicity and very little time for our shoot. He gave me one of my best home layouts."
More information about photographer Sid Avery:
1918 - 2002
In the fifties, a new style of glamour photography was seen. The fans wanted to look behind the façade. There was a desire to know what the stars were like in their private lives. “Candid” was the word in vogue. Periodicals like LIFE and Look set the tone, and The Saturday Evening Post and Photoplay adopted the new trend for their glamour spreads.
One of the most successful among the photographers specializing in this new approach was SID AVERY. The established stars, used to the old system, were not easily convinced to let a photographer document them in their unvarnished private lives, but Avery succeeded where others failed—he managed to get in where no one else could—and he soon became the man magazine editors and art directors called on for their candid photo layouts.
At an early age, Sid was introduced to photography by his uncle, Max Tatch, a landscape and architectural photographer. “He invited me into the darkroom to watch him print,” Avery remembers vividly. “I stood on a little box so I could see into the tray. I saw him put a piece of paper in what I thought was water, and all of a sudden this magic thing happened—a beautiful image began to appear. That experience stuck with me for a long time.”
After graduating from Roosevelt High School, Sid landed a job a Morgan’s Camera store on Sunset Boulevard. Here he felt right in the center of the action. The shop was located near the old NBC studios, and served as a gathering spot for many well-known photographers, including some from LIFE magazine. After taking evening classes at Art Center and working for a period as a darkroom assistant, Sid went out on his own.
Among Avery’s first odd jobs was that of taking glamour shots of the chorus girls at Earl Carroll’s Vanities and the Florentine Gardens. Who knows where this road would have taken him, but then Uncle Sam intervened—Avery was drafted into the Army. For most this would have been a setback—for Avery it turned out to be a godsend. He was assigned to the Signal Corps and selected to receive six months of training at LIFE in New York before being sent overseas.
Stationed in London, he was placed in charge of the Army Pictorial Service Laboratory, where all the still and combat footage coming out of the European theater passed through his hands. During his stay in London he not only survived Hitler’s bombs, but managed to marry an English girl, Diana Berliner, who eventually became the mother of the couple’s three children, and a much-appreciated partner in Avery’s career as manager and promoter of his talent.
When Avery returned to Hollywood after the war, he was ready for the photo journalism boom.
While glamour photography in the twenties and thirties would often attain a very high degree of artistic sophistication, this aspect had to give way in the more immediate, less staged—or most often unstaged—approach. This is not to say that Avery’s photographs lack artistic quality. The inference is rather that the candid type of image could never be built in the same deliberate and time-consuming way as the studio shoot. Regardless, Avery’s work displays a remarkably high degree of refinement, effective but subtle lighting, and composition as good as you could expect in the often cramped settings—all ample proof of Avery’s mastery of the craft.
But Avery’s most effective tool was not his technical skill as a photographer, but his personality. His friendly, unassuming style put his subjects at ease and made them open up. An anecdote from Avery’s rich memory bank serves to illustrate the point. He had been pleading for weeks with the elusive Marlon Brando to get a few minutes of his time. When he finally agreed, Avery was invited to Brando’s little rented house on Beverly Glen—which was mess. But Avery turned this problematic situation into an opportunity, and the result was one of his most unique images—of the mercurial Brando carrying out his trash.
“Understand, I didn’t stage that situation,” Avery remembers. “I didn’t say to him, ‘Hey, will you take the trash out?’ I happened to walk into his kitchen, and it was waist-high in crap—paper, cartons, bottles, ants, roaches, you name it. I didn’t say anything, just kept working with him in other parts of the house. And then I said casually, ‘You know, I’d love to get some shots of you in the kitchen, but it’s such a goddamn mess, I can’t get in there. Would you do me a favor and clean it up?’ So he and a friend he was playing chess with worked for half an hour cleaning up that kitchen. And every time he carried out a box of trash, I took pictures. But he was really doing something. It wasn’t a fabricated situation.”
When television finally put the picture magazines out of business in the sixties, Avery decided to switch to advertising photography. At first, he found the going tough, but step by step—with the help of his wife / manager—he began getting assignments, and once he had a foot in the door he never looked back. He eventually became one of the top advertising photographers in Los Angeles. Avery next took the leap from advertising still photography into directing television commercials, a field he soon mastered equally well, receiving numerous awards. Who can forget the Chrysler Cordoba commercials with Ricardo Montalban and his “Corinthian leather” line?
In the eighties, Avery redirected his energies toward preserving the history of Hollywood as depicted in still photography, founding the non-profit Hollywood Photographers Archive. Eventually comprising some 150,000 photographs, the archive was in 1987 donated to the Los Angeles County Museum of Art and the Academy of Motion Picture Arts. Avery then began rebuilding the collection under its present name, the Motion Picture and Television Photo Archive (mptv Images), representing over fifty of Hollywood’s best-known photographers. The organization serves the television and publishing industry, making the work of these photographers available for use in books, magazines, advertising and documentaries, as well as offering prints to a growing audience of collectors.
His photographs have been exhibited all over the world, from Australia to Japan to England and throughout Europe. less
- 20ʺW × 0.1ʺD × 16ʺH
- Early 21st Century
- Black & White Photography
- Excellent Condition, Not Used, Unknown, No Imperfections
- Condition Notes
- Excellent - Minor wear consistent with age and history Excellent - Minor wear consistent with age and history less
- Art Subject
Shipping & ReturnsView Policy
Mptv Decor in Van Nuys, CA
Helping create beautiful spaces for over 25 years with one of the world's most ...
- Shop all from this seller
Q & A 0Ask the Seller
For Made-to-Order items, refer to the product description for lead times and delivery window specific to your item. For all other items, please see below:
- Free Shipping
- Free shipping is offered on select listings.
- Items are typically delivered within 2 weeks of the purchase date.
- Larger items and furniture may take up to 6 weeks for delivery.
- Free Local Pickup
- Local pickup allows customers to inspect an item in person and avoid shipping costs
- A confirmation email is sent after the purchase with: Pickup Verification & Seller's contact information
- Please contact the seller within 5 days to coordinate pickup
- Parcel Delivery
- Shipment arranged through recognized carriers such as UPS, FedEx, DHL and USPS
- Only pieces that can be safely packed in a box are eligible
- Shipping charges start at $9 — Dependent on size, weight, value and packaging
- Items are typically delivered within 2 weeks of the purchase date
- Chairish Local Delivery
- Item is delivered inside your home
- Local rates available on most items when the delivery location is within 50 miles
- Shipping charges start at $149, depending on product type, value, size and location
- Local deliveries typically take up to 3 weeks
- Chairish In-home Delivery
- Item is delivered inside your home
- Deliveries typically take about up to 6 weeks
- Delivery may take up to 8 weeks in more remote locations
Shipping charges start at $299, depending on product type, value, size and location
Delivery Type Under $2,000 Over $2,000 Chairish In-home Delivery $299 $399 Large Handling > 35 cu. ft. < 52 cu ft. $399 $449 Fragile and/or Oversized Handling Price may vary. Based on material, location and size. Price may vary. Based on material, location and size.
- Seller Managed Delivery
- Shipping offered and managed by the seller
- Pickup and delivery through a shipper of the seller’s choice
- Available on items at the seller’s discretion
- Seller Managed Local Delivery
- Local curbside delivery handled by the seller within a limited geography
- A confirmation email is sent after the purchase with: Pickup Verification Code & Seller’s contact information
- Please contact the seller within 5 days to coordinate delivery
- Prior to shipping or local pickup, buyers may cancel an order for any reason.
- Please notify us within 24 hours of purchase if you would like to cancel an order, as prompt cancellation will reduce the likelihood that you will incur return shipping charges.
- Once shipping or pickup has been initiated, the cancellation will be considered a return.
- All sales final 48 hours after receiving your purchase. (Except Free Local Pickup and Seller Managed Local Delivery — see below.)
- If a return is requested, please email email@example.com with the order number and reason for return.
- For approved returns, the buyer is responsible for full cost of return packing & shipping.
- Local Pickup & Local Delivery
- All sales final once buyer takes possession of item.
- If you decide to cancel the order at pick up, you or your agent must reject the item at the time of pickup or delivery from the seller. Do not take the item with you or accept the curbside delivery.
- Please contact firstname.lastname@example.org to let us know you did not accept the item and would like to initiate a return.