Mid-Century Service Cart in Teak & Glass by Cesare Lacca for Cassina, 1950s

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Iconic mid century service cart by cesare lacca for cassina, in teak , with original crystal tops
this fantastic piece … Read more Iconic mid century service cart by cesare lacca for cassina, in teak , with original crystal tops
this fantastic piece was designed in italy during the 1950s for cassina.

this piece is going to add lightness to a living room with its shapes and materials. The wood and crystal glass will astonish with their purity.
born in naples in 1929, italian architect-designer cesare lacca created modernist furniture and metalwork throughout the 1950s. Though details of his personal life and professional training remain lost to history, there are sufficient surviving primary sources that document his many elegant designs in brass—work for which he is best know and which fetch high prices from collectors.

like many italian designers in the 20th century, lacca moved to milan after world war ii to launch his career. Before he was even 21 years old, his work was selected by a group of american curators for inclusion in the landmark exhibition italy at work: her renaissance in design today that toured 12 us museums between 1950 and 1953—the first major exhibition of italian design outside of italy. The exhibition showcased the best and brightest of italian designers who had embraced modernist principles and rejuvenated traditional italian crafts, like carlo mollino , franco albini, and gio ponti

in the exhibition catalogue, curator meyric r. Roger’s spotlights lacca's expert achievements in brass, noting “the variety and quality of his creations,” which “place him high among the architect-designers leading the current [modernist] movement." rogers adds, "the quality of his work\.provide[s] all the decorative effectiveness needed without strain or exaggeration”.

lacca designed a great many tea carts and serving trolleys in his career—which make up a large proportion of what is available on the vintage market today—as well as magazine racks and coffee tables. Lacca’s most iconic tea cart was manufactured by italian brand cassina and features sculpted beech, cedar, teak, or walnut with brass details, a glass tabletop, and a removable glass tray.

lacca also designed high-backed lounge chairs, which were regularly featured in arredoluce advertisements for angelo lelli’s lighting. Incidentally, lacca’s lighting designs—at least one of which was on display at the 1950 brooklyn museum exhibition— are difficult to source and often sell well above estimated prices at art auctions.

almost all of lacca’s known designs were created in the 1950s, and unfortunately we do not know how his career developed from the 1960s. Today, cesare lacca is appreciated for his contribution to the italian design identity; his ability to fashion brass into the italian postwar design conversation; and his timeless, highly sought-after serving trolleys.

the company's transformation was bolstered further by commissions for cruise ships, top end hotels and restaurants which accounted for a great part of the company's activity right up to the mid-sixties and beyond.

in 1964 the "cassina i maestri" (cassina masters) collection was born, with the acquisition of the rights to products designed by le corbusier, pierre jeanneret and charlotte perriand, the most important names of 20th century design. These included the lc1, lc2, and lc3 armchairs,and the lc4 chaise longue. Today cassina is the exclusive worldwide licensee of the le corbusier designs.

the "cassina i maestri" collection was widened in 1968 with the acquisition from bauhaus-archiv in berlin of reproduction rights to some of the bauhaus objects and in 1971 the designs of gerrit rietveld, frank lloyd wright, and of charles rennie mackintosh in 1972. The masters collection continued with the re-issue in 1983 of furniture by erik gunner asplund, the acquisition from the frank lloyd wright foundation of rights of reproduction (1986) of furniture by frank lloyd wright, including the barrel chair (1937), and, finally, in 2004 furniture by charlotte perriand.

the 1972, the new york moma exhibition, "italy: the new domestic landscape" curated by emilio ambasz was co-sponsored cassina. In 2005 cassina was purchased by the poltrona frau group this piece has an attribution mark,
i am sure that it is completely authentic and take full responsibility for any authenticity
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