Kimono as Art the Landscapes of Itchiku Kubota by Dale Carolyn Gluckman, Hollis Goodall Hardcover Book

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The Landscapes of Itchiku Kubota.
Edited by Dale Carolyn Gluckman, Hollis Goodall.
160 pages, Hardcover book.
First published November 27, … Read more The Landscapes of Itchiku Kubota.
Edited by Dale Carolyn Gluckman, Hollis Goodall.
160 pages, Hardcover book.
First published November 27, 2008
Large beautiful hardcover coffee table book.
This lavishly illustrated book showcases fifty-five masterworks by Japanese kimono artist Itchiku Kubota (1917-2003). Initially determined to unlock the secrets of dyed and painted Japanese textiles of the fourteenth to early seventeenth centuries, Kubota ultimately invented a unique method of decoration. His work combines stitch-resist and ink drawing with a complex layering of color to achieve hauntingly beautiful landscapes with richly textured surfaces and an impressionistic rendering of nature never before seen in the textile arts.
Although Kubota produced kimono for Japanese celebrities, his primary endeavor was the creation of a series of monumental kimonos intended only for display. Mount Fuji, Universe, and the thirty-four-piece Symphony of Light are his most important series. The latter two are intended to be shown sequentially, much like the panels of a Japanese screen or decorated sliding doors. This entirely new approach to the use of the kimono as a vehicle for pictorial imagery has enabled Kubota's work to reach beyond the traditional boundaries of the single garment and elevated his work to installation art.
This book accompanies a touring exhibition and features essays by Dale Carolyn Gluckman, Asian textile specialist and former costumes and textile curator at the Los Angeles County Museum of Art, and Hollis Goodall, curator of Japanese art at LACMA, as well as an interview with Mr. Kubota's son and artistic heir, Itchiku Kubota II, by Derrick Cartwright, Director of the San Diego Museum of Art.
Itchiku Kubota was a Japanese textile artist. He was most famous for reviving and in part reinventing an otherwise lost late 15th- to early 16th-century textile dye technique known as tsujigahana, which became the main focus for much of his life's work See less