Will Insley, Abstract Minimalist Color Silkscreen Print Will Insley On The Bowery Pop Art, 1969-1971

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Will Insley
On the Bowery, 1969 - 1971
silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P.
25.5 … Read more Will Insley
On the Bowery, 1969 - 1971
silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P.
25.5 x 25.5 inches, signed, numbered 21/100
Screenprint in color on wove paper
Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp)
Provenance: Collection of Tom Levine

On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher, Charles Hinman, Richard Smith, Gerald Laing, and John Giorno. The ten artists were photographed by Eliot Elisofon (1911-1973), who also lived on the Bowery and was a founding member of the Photo League in 1936.
In the late 40s and 50s Clyfford Still, Mark Rothko, Fernand Leger and Jean Dubuffet, among others, had studios on the Bowery, and Willem de Kooning, Franz Kline and Reginald Marsh worked nearby. In the early 60s, Louise Nevelson took a place on Mott Street just off the Bowery and was joined not long after by other artists attracted by the lofts for reasonable rents and the relaxed, small-time quality of the area. - William Katz, from the introduction for the portfolio.
Among other artists, writers and photographers who have lived or worked there are: Arman, Jack Brusca, Larry Calcagno, Pierre Clerk, Tom Doyle, Jean Dupuy, Janet Fish, Robert Frank, Adolph Gottlieb, Eva Hesse, Roy Lichtenstein, Jay Maisel, Ed Meneeley, Malcolm Morley, Kenneth Noland, Angelo Savelli, and Tom Wesselmann.

​Will Insley (October 15, 1929 – August 12, 2011) was an American painter, architect, and planner of utopian urban models. As a painter of geometric abstraction, he is known for his large-area geometrical picture elements.
Insley studied at Amherst College, in Amherst, Massachusetts. He also had his first solo exhibition there. In 1955 he received his master's degree in Architecture from the Harvard Graduate School of Design. From 1966 on, he was a guest lecturer at several universities and colleges. Beginning in 1969 he taught at the School of Visual Arts in New York City. Insley's work was included in Documenta 5 in Kassel, Germany in 1972 in the Department of Individual Mythologies. His works in the aforementioned exhibition included a model, isometry and pencil drawing for "Gate - First Stage of the Interior Building", and "The Interior Building - Overall Plan" 6. He also exhibited in Documenta 6.
Insley's artwork has been exhibited in numerous museums in the United States and Europe, including a solo exhibition at The Solomon R. Guggenheim Museum, 1984, and in 1971 at the Museum of Modern Art in New York City. Insley's artwork is in the collection of Brooklyn Museum of Art, Smithsonian Museum, Museum of Modern Art, Whitney Museum of American Art, Indianapolis Museum of Art, North Carolina Museum of Art, Hirshhorn Museum and Sculpture Garden and many others. A chapter is dedicated to Insley in the reference publication, “The New American Abstraction 1950-1970” by Claudine Humblet. Insley received the award of the National Foundation on Arts and Humanities and a Guggenheim fellowship. Insley lived in New York City. Since his death in 2011, his artistic estate is exclusively managed by Westwood Gallery in New York City. See less