Rosa Bracteata - Original Oil on Canvas by Marzia Trinca - 2019 2019

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Rosa Bracteata is an original artwork realized by Marzia Trinca in 2019. Original colored oil painting. Hand-signed and dated by … Read more Rosa Bracteata is an original artwork realized by Marzia Trinca in 2019. Original colored oil painting. Hand-signed and dated by the artist on the lower-right corner. This beautiful painting represents the beautiful flower of Rosa Bracteata, with its simple, large, white flowers with striking yellow stamens. Marzia Trinca was born in Rome on 2 January 1962, a city where she has always lived. He graduated in Architecture at La Sapienza University in Rome with a thesis entitled ''Assetto del Paesaggio''. In the same years in which he studied at the university, he became interested in botany since he loved plants and flowers since he was a child. For more than ten years she is a member of the ''Giardino Romano'' Association which allows her to deepen and expand the recognition of plant species thanks to numerous botanical trips to Italy and abroad. During these trips he has the opportunity to visit numerous and exclusive private and non-private gardens. His interest in plants and flowers also transferred him to the professional field, devoting himself to the design of the green of terraces and gardens, and, for the interiors, to the design and manufacture of fabric artifacts. In 2002, she was forced to abandon her professional activity because she was struck by Parkinson's disease, which severely penalized her on the motor level and caused her to shiver located on the left side of the body. This is an important detail, being left-handed. However, he continues to consult texts relating to the plant world. In this way, he began to paint different oils on canvas, where the protagonist is represented by the flower that at that moment strongly inspires her. This, chosen as a model, is highlighted by shaded backgrounds. The use of color, which has always characterized the creation of residential interiors, now returns in his canvases, always well-calibrated. The design of the floral elements always has an initial geometric structure; this basic scheme is then softened by the insertion of the details and by the often material use of color. See less