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On offer is a highly desirable mid-19th-century Chinese Export oil painting of Macau, specifically featuring Penha Hill or Guia Hill. …
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On offer is a highly desirable mid-19th-century Chinese Export oil painting of Macau, specifically featuring Penha Hill or Guia Hill. The defining feature of this artwork is the prominent Christian cross erected at the absolute summit of the mountain, overlooking a dense, multi-story Europeanized waterfront settlement and a harbor animated by local trading junks and sampans.
SCENE: This represents Macau, the historic Portuguese settlement on the South China coast. The cross-topped peak depicts either Penha Hill, home to the Chapel of Our Lady of Penha. Views of Macau were among the most prestigious and collected subjects in the China Trade market. As the first port of entry where Westerners had to wait for permits before heading upriver to Canton, its distinctive mixed European-Chinese architecture and dramatic hills made it an iconic landscape.
SYMBOLISM: Because this painting is explicitly a hybrid of two cultures, the symbolism operates on two fronts. For the Western buyer, the Cross on the Peak symbolized the presence of Christian civilization, a safe harbor and European colonial influence at the edge of the Chinese empire. From the Chinese perspective, the masterfully rendered trading vessels moving peacefully through the mist represent Shun Feng Shun Shui in hopes of favorable winds and smooth sailing, as well as an auspicious sign for wealth, safe travels and continuous prosperity in maritime commerce.
ORIGIN: This work was painted by a professional Chinese artisan in a specialized export studio located in Macau, Canton, or Hong Kong, circa 1845–1865. The delicate blending of atmospheric Western perspective with highly detailed, fine-brushed local watercraft is typical of this mid-Victorian trade window. It was created exclusively for visiting Westerners—likely a ship's captain, merchant, or diplomat stationed in Macau.
MATERIALS: It is an oil painting on canvas (or canvas laid down onto a wooden panel support, as visible from the hand-textured, aged wood backing on the reverse side. The frame is a genuine period Chinese-made export frame. It features a classic, heavy scoop profile decorated with a stylized water-leaf or lotus-molding pattern, finished in original cross-hatched gold leaf gilding over a reddish bole and native softwood core. This painting was framed behind glass to protect the delicate, low-varnish oil layers from the corrosive, humid salt air of the long ocean voyage back to the West.
Another very similar painting to this may also be available.
Signature/Maker’s Mark: Nonexistent. Image dimensions: 7.5 inches high x 10.5 inches wide.
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- Dimensions
- 14.5ʺW × 1.5ʺD × 11.5ʺH
- Styles
- Chinese
- Frame Type
- Framed
- Period
- Mid 19th Century
- Country of Origin
- China
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Canvas
- Glass
- Oil Paint
- Wood
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Verdigris
- Condition Notes
- Condition commensurate with age and use. Glass reflections not indicative of artwork condition. Frame missing four ornamental segments. Please review … moreCondition commensurate with age and use. Glass reflections not indicative of artwork condition. Frame missing four ornamental segments. Please review all photos. less
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