Details
Description
A captivating, mid-century style limited edition terracotta composite sculpture by celebrated American artist Peggy Mach (1922–2013). The piece beautifully captures …
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A captivating, mid-century style limited edition terracotta composite sculpture by celebrated American artist Peggy Mach (1922–2013). The piece beautifully captures a graceful ballerina in a serene moment of reflection, seated with her hands clasped around her knee.
This fine art sculpture emphasizes a striking contrast in textures, pairing the smooth contours of the dancer's skin, arms, and face with a heavily stippled, expressive treatment on her practice leotard and the rocky ground below. The terracotta clay body features a warm, rich tone that beautifully highlights the intricate muscle definition and meditative pose. The figure comes permanently mounted to its original minimalist black-finished wooden pedestal display base.
This piece is rich with all original factory validation stamps:Signature: Inscribed with the artist's stylized signature "Peggy Mach" molded directly into the lower hip/thigh area.Studio Stamp: Features the official "© AMR" (Alva Museum Replicas) copyright rectangular studio impression next to the signature.Limited Edition: Features its original inset brass plaque stamped 317 / 975, indicating this is an authenticated piece from the rare, highly collectible limited studio production run.
This is a large sized figurine and without the stand it measures 6" x 7" x 10".
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- Dimensions
- 7ʺW × 7ʺD × 11.75ʺH
- Styles
- Mid-Century Modern
- Period
- 1960s
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Terra Cotta
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Terra Cotta
- Condition Notes
- Excellent vintage condition. The fragile terra cotta finish is wonderfully preserved with no chips, cracks, structural breaks, or repairs to … moreExcellent vintage condition. The fragile terra cotta finish is wonderfully preserved with no chips, cracks, structural breaks, or repairs to the dancer's extremities, fingers, or hair bun. The original black wooden base is structurally sound with only minor, faint surface scuffs consistent with display age. A highly clean, pristine example for collectors of dance or mid-century sculpture. less
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