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Description
This elegant English fire screen, dating to the late nineteenth century, is a particularly decorative example of the Adam Revival …
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This elegant English fire screen, dating to the late nineteenth century, is a particularly decorative example of the Adam Revival style, drawing upon the refined neoclassical vocabulary associated with the celebrated eighteenth-century architect and designer Robert Adam. During the later Victorian period, Adam’s delicate classical ornament—arabesques, palmettes, urns, floral sprays, painted decoration, and slender architectural forms—enjoyed a significant revival in fashionable English interiors. Period and later Adam-inspired screens similarly employed tall poles, tripod bases, painted or pictorial panels, and delicate neoclassical ornament.
The screen is constructed in the traditional pole-screen form, with a long, slender central wooden standard rising from an elegant tripod base. The three gracefully downswept legs curve outward before turning at the feet, producing a light and balanced silhouette. A circular stretcher joins the lower supports, strengthening the structure while maintaining the open, airy appearance of the base.
Particularly attractive is the painted decoration applied throughout. The rich reddish-brown ground is embellished with green, gold, and polychrome neoclassical ornament, including stylized foliage, delicate scrollwork, palmette-like motifs, and small floral details. These painted embellishments give the screen the appearance of a carefully coordinated piece of late Victorian decorative furniture rather than a purely utilitarian fireplace accessory.
Above the tall standard is the exceptionally charming screen panel itself. Its shaped wooden backing rises to a semicircular crest, decorated with symmetrical scrolling foliage and a central classical motif. Beneath this is a rectangular framed pictorial panel bordered by gilt moldings and a fine repeating decorative edge.
The painted scene depicts a group of playful putti or cherubic children reclining among clouds, rendered in soft pastel colors against an atmospheric blue-green background. The romantic subject matter provides an appealing contrast to the disciplined neoclassical geometry of the frame.
Originally, pole screens were practical furnishings designed to shield a seated person from the intense direct heat of a fireplace; their adjustable panels could be positioned along the upright standard. Their popularity in English interiors dates well into the eighteenth century.
With its slender tripod construction, painted neoclassical ornament, gilt highlights, shaped crest, and delightful figural panel, this late-19th-century English fire screen is a highly decorative expression of the Adam Revival tradition, combining practical historic form with the elegance and delicacy that made the Adam aesthetic so enduring.
Dimensions: 51.75 inches high x 15.5 inches wide x 15.5 inches deep
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- Dimensions
- 15.5ʺW × 15.5ʺD × 51.75ʺH
- Styles
- Louis XVI
- Period
- Late 19th Century
- Country of Origin
- France
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Metal
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Brown
- Condition Notes
- The piece is in good antique/vintage condition with the exception of some light surface scratches, Minor finish loss and normal … moreThe piece is in good antique/vintage condition with the exception of some light surface scratches, Minor finish loss and normal age related wear. As to be expected with items of age and use less
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