Enzo Esposito, Colored Screenprint

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Enzo esposito:

without title
silkscreen
cm.108x160
signed and numbered by hand by the front
n.of / es 150,
impressive material … Read more Enzo esposito:

without title
silkscreen
cm.108x160
signed and numbered by hand by the front
n.of / es 150,
impressive material works of exceptional artistic quality; in perfect condition paper, kept untouched inside the protective folder. Not framed
complete with certificate of authenticity and origin (signature and embossed stamp publisher with reference photo and numbering)

available for any information and detail:

biography

born in benevento in 1946, since 1980 enzo esposito lives and works in milan.
the transition to painting after a period of maturation in a climate of conceptual and formal rigor art, followed by a short period of use of photography, is one of the few artists in italy to realize, at the end of the 70s, through the environments". To date in 1977 the first installations, paintings done directly on the walls of the tunnels, where the color staging creates strong emotional involvement. An outstanding member of the "new new" group founded by renato barilli in the early '80s, edwards participated in numerous exhibitions in the most important italian and foreign museums. To this period belong the large canvases with bold spill from the surface of the canvas, which emphasize the objective of the paint job as an experience with which to compare. The next period is marked by an abstract expressionism made of lighted brightness and increasingly large backgrounds. From the 80's to now have been set up numerous solo exhibitions in italian and foreign galleries (milan, rome, london, paris, frankfurt \.) and at major corporate centers (for example the royal palace of caserta, the italian institute culture of rio de janeiro, the mac of santiago de chile, the danubiana meulensteen art museum in bratislava). He also participated in prestigious festivals, including "from noon to sunset", edited by lucio amelio in naples; "painting environment" at the palazzo reale in milan and "the new new: birth and development of a postmodern situation" at the galleria civica di torino, both curated by renato barilli, "baroques '81", edited by catherine millet, the museum modern art in paris, "art in italy in the '70s," curated by luciano caramel in erice and "last forty italian art: the non-iconic" painting, curated by danilo eccher at gam of bologna.
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