Details
Description
Signed lower right, 'Stetson' for Charles Walter Stetson (American, 1858-1911) and dated 1886.
Born in Rhode Island, Charles Stetson opened …
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Signed lower right, 'Stetson' for Charles Walter Stetson (American, 1858-1911) and dated 1886.
Born in Rhode Island, Charles Stetson opened his first studio in 1878 in Providence and during the 1880s was a leading figure in the development of the Providence Art Club. He later opened a studio in Boston. In 1888, Stetson took his first trip to California where he found his "dream trees", eucalyptus that appeared in many of his landscapes prior to his visit. In 1894, Stetson moved to California where he lived and worked for seven years before moving back to New England. In 1904, he left for Europe, living in Paris before settling in Rome where he continued to paint until his death.
Charles Walter Stetson exhibited widely and with success including at the New York Etching Club (1886), Providence Artist Association (1882), Rome International (1904, 1911), Boston Art Club (1882-1884, 1901), Detroit Museum (1913 memorial), Panama-Pacific International Exposition (1915), Pennsylvania Academy of Fine Arts (1882-1883, 1901-1902), Boston Museum of Fine Art (1912 memorial), Cincinnati Art Museum, and the St. Louis Art Museum. His work can be found in permanent collections including the National Museum of American Art (Washington, D.C.), the De Young Museum (San Francisco, CA), and the Corcoran Gallery of Art (Washington, D.C.).
Reference:
Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, page 3167; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 13, page 236; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gegenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 32, page 16; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 2, page 1062; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, pages 896-897; et al.
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- Dimensions
- 12ʺW × 0.13ʺD × 7ʺH
- Styles
- American
- Traditional
- Art Subjects
- Landscape
- Frame Type
- Unframed
- Period
- Late 19th Century
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Oil Paint
- Wood
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Oxblood Red
- Condition Notes
- oil on mahogany panel; minor marks, minor corner bumping, minor age-toning; unframed; shows well. oil on mahogany panel; minor marks, minor corner bumping, minor age-toning; unframed; shows well. less
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