Details
Description
The very rare ceiling lamp, model 125/12, designed by Hans Bergström and produced by Ateljé Lyktan in Åhus, Sweden, is …
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The very rare ceiling lamp, model 125/12, designed by Hans Bergström and produced by Ateljé Lyktan in Åhus, Sweden, is a masterful example of mid-century Scandinavian lighting. Combining refined craftsmanship, natural materials, and architectural balance, this piece highlights Bergström’s talent for designing ambient, sculptural lighting with a human touch. This chandelier-style ceiling lamp features a large circular frame crafted from solid brass, with a diameter of 90 cm. The brass has aged beautifully, developing a rich patina that softens its original golden luster, adding depth and character to the overall presentation. The frame supports twelve cane-woven shades arranged in a symmetrical perimeter. The wide, evenly spaced arrangement allows for even light distribution, making this a highly functional fixture as well as a decorative centerpiece. Each shade is constructed from delicately handwoven cane, designed to diffuse light in a warm, soft manner. The use of cane not only reinforces the natural material palette that is characteristic of Scandinavian design but also introduces a tactile and artisanal element. The shades retain their original structure and shape, with only slight imperfections and minor wear, an exceptional condition given the fragility of the material and the age of the piece. The overall design of the 125/12 is striking yet harmonious. The repetition of conical cane shades creates visual rhythm and structure, while the circular brass armature gives the fixture a unified, sculptural presence. When illuminated, the interplay of cane texture and filtered light creates a glowing, ambient effect that emphasizes the lamp’s function as both a practical light source and a design statement. Hans Bergström (1910–1996), the founder of Ateljé Lyktan, was instrumental in shaping Swedish lighting design during the mid-20th century. Known for his sensitive handling of materials such as wood, fabric, and metal, he sought to create lighting that was both atmospheric and aesthetically restrained. This model exemplifies that vision—balancing elegance, warmth, and craftsmanship. Condition: Good vintage condition overall. The brass frame shows patination typical of its age. The cane shades are very well preserved with only minor irregularities, reflecting the care taken in its use and preservation. Additional Information: Producer: Ateljé Lyktan Color: Brown, Gold, Orange Decade: 1940s Designed in: 1940s Country: Sweden Style: Mid Century, Scandinavian Modern Materials: Brass, Cane Dimensions: H 90 x Dia: 90 cm This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity
issues arising from misattribution,
Up to 250V (Europe/UK Standard).The wiring of this item may be original and might need replacement, if not specified otherwise.
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- Dimensions
- 35.43ʺW × 35.43ʺD × 35.43ʺL
- Designer
- Hans Bergström
- Period
- 1940s
- Country of Origin
- Sweden
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Brass
- Rattan
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Brown
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Wear consistent with … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Wear consistent with age and use, Good vintage condition overall, The brass frame shows patination typical of its age, The cane shades are very well preserved with only minor irregularities, reflecting the care taken in its use and preservation less
Returns & Cancellations
Return Policy - All sales are final 48 hours after delivery, unless otherwise specified in the description of the product.
Cancellation Policy - Prior to shipping or local pickup, buyers may cancel an order for up to 48 hours, unless otherwise specified.
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