Details
Description
These jars were handmade by indigenous Amazigh (Berber) women living in rural tribal communities throughout the Rif Mountains of northern …
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These jars were handmade by indigenous Amazigh (Berber) women living in rural tribal communities throughout the Rif Mountains of northern Morocco.
The Clay: The women mine the raw clay themselves from local mountain deposits, processing and purifying it by hand.The Paint: The dark, primitive lines and tribal motifs were drawn using a handmade brush made of goat hair. The pigment itself is made from ground manganese, a natural dark mineral.The Firing: These jars were not baked in a modern enclosed kiln. They were fired using a primitive open-air bonfire or pit-firing method. The dark, mottled soot marks and charred gray patches visible on the bellies of your jars are authentic "fire kisses"—the direct result of wood and brush smoke touching the raw clay during the outdoor baking process
One vase is just over 25 inches tall, the other is 24 inches tall. There are some rose colored hues to the clay in places.
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- Dimensions
- 6ʺW × 13ʺD × 25ʺH
- Artist
- Berber Tribes of Morocco
- Period
- Mid 20th Century
- Country of Origin
- Morocco
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Clay
- Terra Cotta
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Almond
- Condition Notes
- One jug is 25+ inches tall, the other is 24 inches tall. The 24 inch vase has a rim chip … moreOne jug is 25+ inches tall, the other is 24 inches tall. The 24 inch vase has a rim chip which shows the terra cotta color inside. There are small chips on the bottom of each - either from use or from moving around. There are tiny chips around the top - see photos. There are no cracks. The color is leached in places, which shows age. These are very sturdy. The Makers: Unlike urban Moroccan pottery centers (like Safi or Fez) where men traditionally use pottery wheels, Rif Mountain pottery is strictly the domain of women. They do not use a mechanical wheel; instead, they build the vessels entirely by hand using ancient hand-coiling and molding techniques.The Clay: The women mine the raw clay themselves from local mountain deposits, processing and purifying it by hand.The Paint: The dark, primitive lines and tribal motifs were drawn using a handmade brush made of goat hair. The pigment itself is made from ground manganese, a natural dark mineral.The Firing: These jars were not baked in a modern enclosed kiln. They were fired using a primitive open-air bonfire or pit-firing method. The dark, mottled soot marks and charred gray patches visible on the bellies of your jars are authentic "fire kisses"—the direct result of wood and brush smoke touching the raw clay during the outdoor baking process Exact age is unknown because the style and methods haven’t changed over the centuries. less
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