Émile Médard, Diana au Bain, Etching, 19th Century

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Etching on paper after the celebrated Rococo composition by François Boucher, depicting the goddess Diana in a moment of repose … Read more Etching on paper after the celebrated Rococo composition by François Boucher, depicting the goddess Diana in a moment of repose beside a woodland stream. The scene captures the sensuous elegance and pastoral charm for which Boucher became renowned, presenting the huntress goddess accompanied by a female attendant within an idyllic landscape setting. Executed with exceptional delicacy by Émile Médard, the print faithfully translates the painterly softness of the original into the linear language of engraving. Subtle tonal transitions, refined modelling of the figures, and richly textured foliage demonstrate the engraver’s technical accomplishment. The composition balances classical mythology with the intimate grace and decorative sophistication characteristic of the French Rococo tradition. Published in Vienna during the nineteenth century, this impression reflects the enduring popularity of Boucher’s oeuvre and the widespread demand for high-quality reproductive prints among collectors and connoisseurs. The elegant treatment of the nude figure, combined with the atmospheric landscape and masterful engraving technique, makes the work an appealing example of academic reproductive printmaking of the period. Condition: Good overall impression with clear detail and strong tonal range. Scattered foxing and age-related spotting visible throughout the margins and extending lightly into the image area. Minor toning consistent with age. Margins appear intact. François Boucher’s depictions of Diana rank among the most admired mythological subjects of the eighteenth century, exemplifying the artist’s ability to merge classical themes with the refined sensuality of the Rococo aesthetic. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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