Details
Description
A substantial pair of Chinese export porcelain baluster vases, Qing dynasty, circa 1860–1880, decorated in the richly colored famille rose, …
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A substantial pair of Chinese export porcelain baluster vases, Qing dynasty, circa 1860–1880, decorated in the richly colored famille rose, or Rose Mandarin, tradition and later mounted as two-light table lamps. The porcelain bodies are of tall, elegantly swelling form, rising from narrow foot rims to rounded shoulders and elongated, gently flaring necks. Their scale, complex painted program, and elaborate gilt-bronze mounts suggest that the pair was conceived for an important Western interior.
Each vase is densely enameled with architectural court scenes populated by elegantly dressed figures engaged in ceremonial, domestic, and scholarly pursuits. The principal reserves depict gatherings of court ladies, attendants, dignitaries, and children within pavilion interiors furnished with tiled terraces, ornamental railings, screens, textiles, and tables. Smaller narrative panels continue around the bodies and necks, creating a sequential decorative scheme that rewards viewing from every angle. Although conceived as a pair, the scenes are complementary rather than mechanically repeated, giving each vase an individual pictorial character.
The figural reserves are framed by gilt geometric borders and surrounded by a profuse ground of flowering peonies, scrolling foliage, butterflies, birds, fruit, fans, books, vessels, and other auspicious or scholarly emblems. These motifs belong to the visual language of nineteenth-century Canton export porcelain, combining Chinese symbols of prosperity, longevity, refinement, and domestic harmony with the dense surface decoration favored by European and American collectors. Broad floral bands encircle the necks and lower bodies, visually organizing the composition while emphasizing the elongated silhouettes.
The porcelain was likely produced at Jingdezhen and subsequently enameled in the Canton region for export through Guangzhou. The exceptionally detailed figure painting, varied enamel palette, extensive gilding, and careful integration of the principal and subsidiary reserves place the pair among the more ambitious examples of late Qing dynasty decorative export ware. Applied gilt lion-mask handles with pendant rings enrich the shoulders and create a sculptural transition between the porcelain bodies and their architectural metal mounts.
The elaborate gilt-bronze fittings are executed in the French Louis XVI Revival taste. Each vase is supported on a molded circular plinth ornamented with an interlaced guilloché frieze, alternating floral paterae, and projecting block feet. The upper mounts incorporate acanthus leaves, fluting, gadrooned borders, and finely modeled classical moldings. Tall brass standards rise to double socket clusters with individual pull chains, converting the vases into commanding two-light lamps while preserving the visual prominence of the porcelain. The mellow surface of the gilding and subtle variation in the metalwork complement the warm gold details of the enameling.
Measurements: 29.375" h x 7" w.
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- Dimensions
- 7ʺW × 7ʺD × 29.38ʺL
- Lamp Shade
- Not Included
- Period
- Mid 19th Century
- Country of Origin
- China
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Bronze
- Porcelain
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Bronze
- Power Sources
- Up to 120V (US Standard)
- Corded
- Type A
- Condition Notes
Minor wear commensurate with age and use. Some oxidation to metal mounts. Newly rewired.
The vendor has confirmed this piece is in working order.
Minor wear commensurate with age and use. Some oxidation to metal mounts. Newly rewired.
The vendor has confirmed this piece is in working order. less
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