Details
Description
Among the Bamana people of southern Mali, a seated or standing mother figure carrying a child at her waist or …
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Among the Bamana people of southern Mali, a seated or standing mother figure carrying a child at her waist or back is known as Gwandusu — a name combining Gwan, the initiation society devoted to women's fertility and childbirth, with dusu, meaning soul, passion, or conviction. These figures were never purely decorative: they served as the central presence in Gwan shrine ensembles, brought out during annual ceremonies tied to the first rains, ritually washed and oiled, then dressed in loincloths, head ties, and beads contributed by the women of the village. This example carries the tradition's recognizable elements — a tall, peaked coiffure, an elongated torso, and a child carried against the mother's back, secured with wrapped fiber bindings that echo the cloth and cord ornamentation historically added during ceremonial use. Cowrie shells remain attached at the wrists, a material long associated across West Africa with wealth, fertility, and protective ritual significance. The wood has taken on a deeply oxidized, weathered surface consistent with age and prior handling.
Women experiencing difficulty conceiving traditionally affiliated with the Gwan society, making offerings before figures like this one; those who went on to bear children would name their children after the sculptures themselves — a direct link between the object and the lived hope it represented. We have no documented collection provenance for this specific piece.
**Please bear in mind that colors of products shown may vary slightly from their original color due to monitor display settings or photography studio
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- Dimensions
- 10ʺW × 9ʺD × 38ʺH
- Styles
- African
- Period
- Early 20th Century
- Country of Origin
- Mali
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Wood
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Brown
- Condition Notes
- Good. Heavily oxidized surface and wear consistent with age. Fiber/cord bindings and cowrie shell details intact at wrists. No documented … moreGood. Heavily oxidized surface and wear consistent with age. Fiber/cord bindings and cowrie shell details intact at wrists. No documented collection provenance. less
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