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Betsy Kaufman, Landscape of Reflection Study, 1988
San Francisco, CA
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Description
Artist: Betsy Kaufman – American (1953- )
Title: Landscape of Reflection Study
Year: 1988
Medium: Acrylic on paper mounted to …
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Artist: Betsy Kaufman – American (1953- )
Title: Landscape of Reflection Study
Year: 1988
Medium: Acrylic on paper mounted to canvas
Sight size: 13.5 x 10.5
Canvas size: 16 x 16 inches.
Framed size: 17.25 x 17.25 inches
Signature: Signed, dated, titled on reverse
Condition: Very good
Frame: Framed in original frame. Frame in very good condition
Born in San Francisco, CA. Education: BFA Rhode Island School of Design, Providence, RI; Attended Hampshire College, Amherst, MA. Artist’s Residency Fellowship, Akademie Schloß Solitude, Stuttgart, Germany. Lives and works in New York, NY.
ONE AND TWO-PERSON EXHIBITIONS
2019
Through Thick & Thin, Kerry Schuss, New York
2016
New Paintings and Works on Paper 2015–2016, Leslie Tonkonow Artworks + Projects, New York
2014
A Story of Red and other Works, Leslie Tonkonow Artworks + Projects, New York
2008
Leslie Tonkonow Artworks + Projects, New York
2005
Leslie Tonkonow Artworks + Projects, New York
2002
Leslie Tonkonow Artworks + Projects, New York
2001
Judy Ann Goldman Fine Arts, Boston
Sketches, Art Resources Transfer, New York
2000
Leslie Tonkonow Artworks + Projects, New York
1999
Leslie Tonkonow Artworks + Projects, New York
1997
Leslie Tonkonow Artworks + Projects, New York
Akademie Schloß Solitude, Stuttgart, Germany
1996
Akademie Schloß Solitude, Stuttgart, Germany
1994
Patrick Callery, New York
1991
Berland/Hall, New York
1990
Julian Pretto/Berland Hall, New York
1989
Center for Contemporary Art, Chicago
1989
Julian Pretto/Berland Hall, New York
1988
Center for Contemporary Art, Chicago
1986
Wolff Gallery, New York
1984
Wolff Gallery, New York
GROUP EXHIBITIONS
2019
Notebook, 56 HENRY, New York
Through Thick and Thin, Kerry Schuss, New York
2018
Out of Control, Venus Over Manhattan, New York
2016
Drawing, Kerry Schuss, New York
2013
Julian Pretto Gallery, Minus Space, New York
2011
Betsy Kaufman: Many Paintings, Robert Watts: Some Objects, Lawrence Weiner: 3 Videos, Leslie Tonkonow Artworks + Projects, New York
Plot: Plan: Process: Works on Paper from the 1960s to Now, Leslie Tonkonow Artworks + Projects, New York
2010
The Jewel Thief, Tang Museum and Art Gallery, Skidmore College, Saratoga Springs, N.Y. (curated by Jessica Stockholder and Ian Berry)
Off The Grid: Betsy Kaufman, Oditi Donald Odita, W.C. Richardson, G Fine Art, Washington, D.C.
2004
The Fine Line (Between Something and Nothing), Leslie Tonkonow Artworks + Projects, New York
Colored Pencil, KS Art, New York
2003
“Ballpoint Inklings,” KS Art, New York (in association with Geoffrey Young)
Drawing, G Fine Art, Washington, D.C.
2002
Watercolor in the Abstract, The Hyde Collection Art Museum, Glens Falls, N.Y.; Michael C.Rockefeller Arts Center Gallery, SUNY College at Fredonia, N.Y.; Butler Institute of American Art,Youngstown, Ohio; DePauw University, Greene Castle, Ind.; Ben Shahn Gallery, WilliamPatterson University, Wayne, New Jersey; Sarah Moody Gallery of Art, University of Alabama,Tuscaloosa; Nina Freudenheim Gallery, Buffalo, N.Y.
2001
Paintings, 123 Watts, New York
2000
Solitude in the Museum: 10 Years of Solitude, Staatsgalerie Stuttgart, Germany
Musée d’Art Moderne de Saint-Etienne, France
1999
Pattern, James Graham & Sons, New York
Pencils of Nature: A Dialogue, Leslie Tonkonow Artworks + Projects, New York
Do Paintings Dream of Veronese Green?, Elga Wimmer Gallery, New York
The Passion/Passions of Art, Richard Anderson Fine Art, New York
1998
Disappearing Act, Leslie Tonkonow Artworks + Projects, New York
Asian Inspiration, The Rhode Island School of Design Museum of Art, Providence, Rhode Island
1997
On the Wall, TIAA-CREF, New York (organized by Viart Corp.)
Current Undercurrent: Working in Brooklyn, Brooklyn Museum, Brooklyn, N.Y.
1996
Seven Strangers, Patricia Faure Gallery, Santa Monica, California
New York, Andrea Pintsch, Munich, Germany
Margaret Lipworth International, Boca Raton, Florida
1995
Like Young: 12 New York Artists, Three Rivers Arts Festival, an activity of the Carnegie Museum of Art, Pittsburgh
Other Rooms, Ronald Feldman Fine Arts, New York
Partly Sunny Tomorrow, Geoffrey Young Gallery, Great Barrington, Massachusetts
1994
Six Artists Selected from the Artists File, Artists Space, New York
1993
Painting as Paradigm, Stark Gallery, New York
1992
Berland/Hall, New York
Neurotic Art Show, Artists Space, New York
Benefit Auction, White Columns, New York
1991
Ornament, John Post Lee Gallery, New York
1990
Nature/nature, Gallery 400, University of Illinois, Chicago
1988
The Renaissance Society, Chicago
Art of the 1980s: Artists from the Eli Broad Family Foundation Collection, Kresge Art Museum, Michigan State University, East Lansing, Michigan
Mutations, Anina Nosei Gallery, New York
1987
Center for Contemporary Art, Chicago
Romanticism and Classicism, Queensborough Community College, New York
Elliot Smith Gallery, Saint Louis, Missouri
Wolff Gallery, New York
Classical Myth and Imagery in Contemporary Art, Queens Museum of Art, Queens, N.Y.
1986
New York on Paper, Wolff Gallery, New York
Current, Linda Farris Gallery, Seattle
PUBLIC COLLECTIONS
Sheldon Memorial Art Gallery
Staatsgalerie Stuttgart, Germany
JPMorgan Chase
The Capital Group
Citibank, N.A.
Eli Broad Family Foundation
Bank of America
Progressive Corporation
Goldman Sachs
Merrill Lynch
Amerada Hess Corp.
Arthur Anderson, Inc.
G. Heilman Brewing Co.
Pepsico
Prudential Insurance Co.
West Collection at SEI
Comcast
BIBLIOGRAPHY
Biegler, Beth. “Betsy Kaufman at Wolff Gallery,” East Village Eye, December 1985
Bjornland, Karen. “Watercolors: Cutting-edge artists turn to neglected medium in Hyde Exhibit,” Schenectady Gazette, October 21, 2001
Braun, Adrienne .“Nervöse Bilderschau,” Stuttgarter Zeitung, October 4, 2000
Braun, Adrienne. “Schnitzeljagd der Einsamen,” Süddeutsche Zeitung, October 25, 2000
Churner, Rachel. "Polly Apfelbaum and Betsy Kaufman," Artforum, October 2019
Cohen, Ronny. “Betsy Kaufman at Berland/Hall,” Artforum, September 1990
Forstbauer, Nikolai. “Die Kunst findet doch im Saale statt,” Stuttgarter Nachrichten, September 30, 2000
Hackett, Regina. “Current,” Seattle Post Intelligencer, March 26, 1986
Johnson, Ken. “Pattern,” The New York Times, July 16, 1999
Koplos, Janet. “Betsy Kaufman at Leslie Tonkonow,” Art in America, March 2000
Malen, Lenore. Romanticism and Classicism, Queensborough Community College, 1987 (exhibition catalogue)
Matilsky, Barbara C. Classical Myth and Imagery in Contemporary Art, The Queens Museum, 1988 (exhibition catalogue)
McClemont, Doug. “Reviews: New York – Betsy Kaufman at Leslie Tonkonow Artworks + Projects,” ARTnews, Summer 2014
McQuaid, Cate. “Kaufman's View,” The Boston Globe, May 10, 2001
Morton, Julie. “Betsy Kaufman,” New York Press, January 19–25, 2005
Nichols, Matthew Guy. “Betsy Kaufman at Leslie Tonkonow,” Art in America, June/July 2005
Ostrow, Saul. “Betsy Kaufman: The Chaotic Order of Images,” Drawing, Winter 1998–99
Ottmann, Klaus. “Betsy Kaufman at the Center for Contemporary Art,” Flash Art, January 1990
Perl, Jed. “The Counter-Atmosphere,” The New Republic, December 2000
Perl, Jed. “Transformations,” The New Republic, December 1997
Rose, Barbara. Contemporary Art and the Watercolor, 2001 (exhibition catalogue)
Scott, Andrea K. “Paintings (Between Texts and Textiles),” The New Yorker, July 16, 2001
Schehl, Günter. “Junge Kunst-alte Meister: Keine Angst vorm Absturz,” Badisches Tagblatt, October 11, 2000
Schwendener, Martha. “The Fine Line (Between Something and Nothing),” Artforum, August 16, 2004
Schwabsky, Barry. Betsy Kaufman, Stuttgart: Edition Solitude, 1997
Schwabsky, Barry. “Betsy Kaufman at Patrick Callery,” Artforum, March 1995
Schwabsky, Barry. “Betsy Kaufman at Wolff Gallery,” Artscribe, April 1986
Smith, Roberta. “Art in Review,” The New York Times, April 14, 1995
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- Dimensions
- 17.25ʺW × 1.75ʺD × 17.25ʺH
- Styles
- Abstract
- Art Subjects
- Landscape
- Frame Type
- Framed
- Period
- 1980s
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Canvas
- Paper
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Burnt Orange
- Condition Notes
- Good The painting and frame are in very good condition. There are a few very small dings on the part … moreGood The painting and frame are in very good condition. There are a few very small dings on the part of the lower frame bar which does not face the painting. less
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San Francisco, CA
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