George Armfield - a Pair of Terriers - 19th Century Oil Painting

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George Armfield - a Pair of Terriers - 19th century Oil Painting

English Realist - Oil painting on canvas - … Read more George Armfield - a Pair of Terriers - 19th century Oil Painting

English Realist - Oil painting on canvas - signed - circa 1860s
Canvas size 16x12" - Frame size 23x19"

Artist Biography
George (Smith) Armfield (1808 - 1893) was active/lived in United Kingdom.He is known for Domestic animal paintings.
George Armfield Smith (for by this name he was known until the year 1840) was born in Wales. (Actually Bristol: according to Armfield family information) His father was a painter, who for some time had a studio at 54, Pall Mall, London, (His father was the portrait painter William Armfield Hobday (1771-1831)) and from his father, George Armfield obtained any artistic tuition he may have received. He first exhibited in the year 1839, at the British Institution, when he showed two pictures, the "Study of a Dog's Head" and "Terrier chasing a Rabbit." These works must have attracted notice, for in the Sporting Magazine of the following year, 1840, we find the first of a long series of his pictures which were engraved for that publication. In 1840 he exhibited for the first time at the Royal Academy, showing two pictures, "Fox and Wild Rabbits" and "Terrier and Rabbit," and, as the lists show, he continued to exhibit with regularity at both the Academy and the British Institution for the ensuing twenty years. He also sent pictures frequently to the Suffolk Street exhibitions. The British Institution catalogue gives his address in 1839 as 15, Lamb's Conduit Passage; but if he resided there at this time, he could not have remained long, as he spent practically all his life at Camberwell, Clapham, and Brixton. His best period extended from 1840 to about 1869, and during these years his output was large. About 1870 his sight began to fail, and in 1872 he submitted to an operation on one of his eyes at Guy's Hospital, when Dr. Bader removed the lens. The operation was only partially successful, and his powers rapidly declined, he became the victim of fits of acute depression, in one of which he attempted to take his own life. He recovered from the self-inflicted wound, and continued to paint, but was able to work only with the aid of a powerful glass and on small canvases.

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