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Among the most evocative graphic works of De Chirico's late production, The Idol translates with extreme simplicity one of the …
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Among the most evocative graphic works of De Chirico's late production, The Idol translates with extreme simplicity one of the central themes of his poetics: the transformation of the everyday object into an enigmatic and metaphysical presence. A simple upholstered chair, isolated in a suspended and silent space, takes on an almost anthropomorphic dimension, becoming a symbol, a memory, and an apparition.
The artist eliminates every superfluous narrative element and focuses attention on the evocative power of form. The image, constructed through a soft and vibrant stroke, generates that sensation of temporal suspension that characterizes De Chirico's universe, where objects seem to hold hidden meanings and parallel realities.
The soft varnish technique allows for a particularly delicate rendering of the line, close to drawing, enhancing the atmospheric nuances and the intimate nature of the composition. The work is an artist's proof and belongs to the artist's official corpus of graphic works, published in the catalogue of graphic works 1969–1977.
The sheet measures 70 x 51 cm.
Bibliography: E. Brandani (ed.), Giorgio de Chirico. Catalogue of Graphic Works 1969–1977, Edizioni Bora, Bologna, 1990, p. 34. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution
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- Dimensions
- 20.08ʺW × 1.97ʺD × 27.56ʺH
- Art Subjects
- Still Life
- Period
- 1970s
- Country of Origin
- Italy
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Paper
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Cream
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