Writing Table by Jan De Jong, Best, Netherlands, 1974

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Designed by Jan de Jong for the Philipoom private residence in Best in 1974, this impressive large writing desk stands … Read more Designed by Jan de Jong for the Philipoom private residence in Best in 1974, this impressive large writing desk stands as a textbook example of Bossche School furniture. The house itself is documented in the two-volume monograph on Jan de Jong, underscoring its architectural and historical significance within his body of work. The desk is made of solid pine wood painted in an off-white tone, assembled with exposed iron nails that trace and emphasize its precise construction. Its strong, rectilinear form mirrors the proportions seen in De Jong’s open tables and stools, with the characteristic Bossche School profile visible at the base. The generous scale and commanding presence of this piece give it the character of a true director’s desk. Over the years, a hole was added to the surface to allow for cable management, a subtle intervention by previous owners that can be left as is or carefully restored upon request. The original paint finish has aged beautifully, acquiring a soft and tactile patina that reflects decades of use and care. The desk has been preserved fully in its original condition, honoring the philosophy of authenticity that guides our collection. This piece reflects De Jong’s deep understanding of proportion, guided by the Plastic Number developed by Dom Hans van der Laan. It also illustrates his ability to create furniture that integrates seamlessly with architectural space. Jan de Jong’s oeuvre is among the most extensive of the Bossche School movement, spanning complete buildings, interior spaces, major renovations and consultancy work. His collaboration with Dom Hans van der Laan and Wim van Hoof resulted in some of the most refined architectural environments of the twentieth century in the Netherlands. Provenance: Philipoom House, Best, Netherlands 1974. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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