LC3 Grand Confort Armchair from Le Corbusier, Jeanneret, and Charlotte Perriand

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Description

Armchair designed by le corbusier, pierre jeanneret, charlotte perriand in 1928. Relaunched in 2020.
manufactured by cassina in italy.

the … Read more Armchair designed by le corbusier, pierre jeanneret, charlotte perriand in 1928. Relaunched in 2020.
manufactured by cassina in italy.

the lc3 implements the logic of modernity separating the supporting metal frame from its padded elements like the architectural relationship between the concrete supporting structure and its buffering elements. The model has been updated in an ecological version that respects both the original design and nature, which has always been a constant source of inspiration for le corbusier, pierre jeanneret and charlotte perriand. Thanks to the study carried out by cassina lab, a collaboration between the cassina research and development centre and poli.design at the milan polytechnic, the foamed elements have been integrated with eco-compatible polyols, deriving from bio-renewable sources, and a blown fibre, obtained from pet mainly recovered from the sea, has been introduced into the padding of the cushions and seats to make it more comfortable and environmentally sensitive. The tubular frame of the fauteuil grand confort durable is in brushed nickel with a semi-opaque finish, a material that stands out for its more sustainable production process. These ecological options are available for all models of the lc3 armchair and sofa.

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please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image.

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about the designer:
in 1922, le corbusier began working in the new rue de sèvres, paris, atelier with his cousin pierre jeanneret with whom he shared research projects and design criteria in a profound and life-long professional relationship.
in october 1927, the pair decided to draw on the contribution of a young architect who had already begun to establish a reputation on the architectural scene of the time: charlotte perriand.
their collaboration lasted through to 1937 and was extremely fruitful, especially in the field of furniture design. The partnership was highly significant, both in terms of the cultural weight of their achievements and their professional successes.

it was together with charlotte perriand that the pair tackled the innovative project for “l’équipement d'intérieur de l’habitation”.

the resulting designs were of great intellectual value and considerable commercial success.

about the manufacturer:
in a continuing dialogue between past, present, and future, cassina has created the i maestri collection, revisiting furnishing designs by the twentieth century’s best-known architects, including le corbusier, pierre jeanneret, charlotte perriand, charles rennie mackintosh, gerrit thomas rietveld, franco albini, frank lloyd wright and marco zanuso. While the designs and functional concepts have been precisely preserved, the models have been manufactured using evolved technology. This is also the company that has manufactured iconic pieces of contemporary design from the 50’s to the present day, ideated by some of the most important international designers. Today cassina continues to look to the future of design with audacious, passionate curiosity and an open, holistic approach. It affirms its exclusive ability to furnish a home’s living and dining spaces completely and iconically with the cassina perspective: a concept, a philosophy, an informed, futuristic thought. A detailed, expansive horizon of combinations; when placed together, the products have an innovative soul and the modern icons create authentic, welcoming, personal atmospheres involved in a conversation dominated by a code of design excellence, formal sensitive awareness, solidity and cultural authority. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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