After Henry Edridge, Aylmer Bourke Lambert Portrait, Stipple Engraving, 1810

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Aylmer bourke lambert portrait, botanical stipple engraving, william evans 1810 this refined early 19th-century stipple engraving portrays aylmer bourke lambert, … Read more Aylmer bourke lambert portrait, botanical stipple engraving, william evans 1810 this refined early 19th-century stipple engraving portrays aylmer bourke lambert, esq. F.r.s. F.a.s., one of the most important british botanists and collectors of his generation. Published in 1810, the print was engraved by william evans after an original drawing by henry edridge, and captures lambert seated in a calm, thoughtful pose, rendered with the soft tonal delicacy that makes stipple engraving so appealing to collectors of portraiture and scientific history alike. Lambert is remembered as a founding figure of british botany and as a long-serving vice president of the linnean society of london. His name is closely associated with one of the great botanical collections of the period: a herbarium said to have contained more than 50,000 specimens. He is also celebrated for his major publication a of the genus pinus, an ambitious attempt to record all known pine species of the time. His influence on botanical scholarship was such that the genus lambertia was named in his honour, securing his place not only in scientific literature but also in the language of plant taxonomy itself. The composition has an understated elegance. Lambert is shown seated at a draped table, his hands gently folded, with a graceful chair at his side and a softly worked shaded ground behind him. The simplicity of the setting allows full attention to fall on the sitter’s face and posture, while the velvety tonal transitions of the stipple technique lend the image a particularly sophisticated, almost painterly quality. It is a print that will appeal not only to collectors of botanical history, but also to those interested in georgian portrait engraving, the linnean society, and the broader culture of science in regency britain. This is an especially attractive decorative portrait for a study, library, or interior with a scholarly or natural history theme. It would also work beautifully in a grouped wall display with other scientific portraits, botanical engravings, or natural history material from the late 18th and early 19th centuries. This is an original 19th-century stipple engraving, not a reproduction. All items we offer are authentic period works of art over 100 years old. The print is sold unframed; any framed images are shown for presentation and interior inspiration only. Condition: good antique condition with age-related toning, light scattered spotting, and minor wear to the sheet edges. A small paper loss or abrasion is visible at the right edge. The sheet remains visually strong, with a clean impression and wide margins. Please study the images carefully for the most accurate impression of condition. Framing tips: this print would present very well in a dark walnut, ebonized, or gilt frame with a warm ivory mat. A classic museum-style presentation would suit the refined engraving technique and the botanical-historical subject particularly well. Technique: stipple engraving maker: william evans after henry edridge, london, 1810 keywords: aylmer bourke lambert, lambert portrait, botanist portrait, botanical engraving, linnean society, linnean society london, william evans engraver, henry edridge, stipple engraving, british botanist, scientific portrait, regency portrait print, georgian engraving, natural history print, herbarium collector, lambertia, genus pinus, pine botany, antique portrait engraving, antique botanical portrait, early 19th century print, 1810 engraving, english scientific portrait, scholar portrait, collector portrait, museum wall art, study decor, library print, natural history decor, rare botanical history print See less