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Antique Mid-Century Chinese Black Lacquer Wall Panels: Set of 4 with Raised Hardstone and Mother-of-Pearl Inlay
This striking set of …
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Antique Mid-Century Chinese Black Lacquer Wall Panels: Set of 4 with Raised Hardstone and Mother-of-Pearl Inlay
This striking set of four individual Chinese wall panels represents a sophisticated transition from traditional floor screens to permanent architectural wall art. Unlike hinged folding screens, these pieces were meticulously designed as standalone panels intended to be hung as a continuous mural or spaced evenly across a gallery wall. Each panel features a high-relief composition of hand-carved natural soapstone and iridescent mother-of-pearl, set against a deep obsidian-black lacquer ground. The three-dimensional raised figures and shimmering architectural details create a serene celestial garden scene that offers both tactile texture and a brilliant play of light. This coordinated suite is a definitive example of mid-century Chinoiserie artistry, specifically crafted to provide a grand decorative focal point for a refined residential interior.
Historical Significance
The production of coordinated wall panels gained immense popularity during the mid-twentieth century, as the Hollywood Regency and Grandmillennial movements sought to integrate the luxury of Asian lacquerware directly into the architecture of the home. Historically, these panels are rooted in the ancient traditions of Coromandel and Shibayama craftsmanship, where precious minerals were used to create three-dimensional stories of courtly life and mythical gardens. By moving away from the floor-screen format, artisans in the nineteen fifties and sixties allowed these works to become integrated murals that could be safely displayed above sideboards or in formal entryways. This set serves as an authentic artifact of that era, representing a time when international travel and exotic aesthetics were the height of luxury home fashion.
Aesthetic Narrative and Symbolism
The intricate scenes depicted across these four panels tell a cohesive story of harmony and leisure within a mythical-garden landscape. Each figure is meticulously hand-carved from natural soapstone, selected for its varied, earthy tones to mimic porcelain skin and flowing silk robes. The mother-of-pearl or Luo Dian architecture provides a brilliant prismatic clarity that does not yellow or cloud over time, ensuring the pagodas and bridges shimmer with every shift of light. The composition is a masterclass in the Shibayama technique, utilizing the hardstone's high relief to create wonderful depth and shadow. This combination of sculpted stone and shimmering shell creates a dynamic three-dimensional environment that infuses its surroundings with an undeniable sense of divine song and lyrical movement.
Specifications and Dimensions
Quantity: Set of 4 Individual Panels
Width per Panel: 12 Inches
Total Width as Set: 48 Inches
Height per Panel: 36 Inches
Depth per Panel: 1.5 Inches
Origin: China
Period: Mid 20th Century
Materials: Black Lacquer Wood, Natural Soapstone, Mother-of-Pearl, Brass Hardware
Condition Report:
This coordinated suite of wall panels is presented in excellent vintage condition, with the front-facing lacquer ground retaining a deep, mirror-like luster. All primary hardstone figures and mother-of-pearl elements remain structurally stable and crisp. However, it is important to clearly indicate that the single standing figure in the third panel (as shown in the detailed photos of the three women) is missing her hand-held musical instrument. This is common for delicate, high-relief Shibayama work of this vintage. A small amount of original adhesive residue is faintly visible at that location, confirming its historical placement and honest wear. The head, hands, feet, and flowing drapery of all figures remain perfectly intact. The reverse of the panels displays authentic signs of age and prior installation, including light surface scuffs and minor lacquer thinning, which remain invisible when mounted. The original brass cloverleaf-style hangers are intact and functional on each individual panel.
Designer Note:
For the professional interior designer, these panels are far more effective than a traditional floor screen because they allow for perfect symmetry without obstructing traffic flow. Consider mounting them flush to create a contiguous forty-eight-inch mural, or separating them rhythmically to span a much larger gallery wall. The classic black-and-gold palette serves as a neutral luxury that pairs effortlessly with vibrant maximalist wallpapers or clean minimalist paint colors. Placing them over a light marble sideboard creates a dynamic architectural focal point with wonderful depth and shadow under the evening lamp.
This complete and coordinated set of four mid-century Chinese wall panels offers a rare opportunity to own a tangible piece of luxury. Unlike common screens that require floor space, this Chinoiserie heritage transforms your walls into a three-dimensional window of soapstone and mother-of-pearl artistry. Whether you are a dedicated collector of Asian antiquities or a designer looking for a powerful architectural statement, this suite brings an undeniable air of history and refined character to the modern home. Secure this definitive collection today and enjoy the timeless beauty of a celestial garden mural for years to come.
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- Dimensions
- 48ʺL × 1.5ʺD × 36ʺH
- Period
- Mid 20th Century
- Country of Origin
- China
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Brass
- Lacquer
- Mother-of-Pearl
- Soapstone
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Black
- Condition Notes
- This coordinated suite of wall panels is presented in excellent vintage condition, with the front-facing lacquer ground retaining a deep, … moreThis coordinated suite of wall panels is presented in excellent vintage condition, with the front-facing lacquer ground retaining a deep, mirror-like luster. All primary hardstone figures and mother-of-pearl elements remain structurally stable and crisp. However, it is important to clearly indicate that the single standing figure in the third panel (as shown in the detailed photos of the three women) is missing her hand-held musical instrument. This is common for delicate, high-relief Shibayama work of this vintage. A small amount of original adhesive residue is faintly visible at that location, confirming its historical placement and honest wear. The head, hands, feet, and flowing drapery of all figures remain perfectly intact. The reverse of the panels displays authentic signs of age and prior installation, including light surface scuffs and minor lacquer thinning, which remain invisible when mounted. The original brass cloverleaf-style hangers are intact and functional on each individual panel. less
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