Vincent Brooks, Vanity Fair Winning Post Horse Racing Finish, 1888, Print

Details

Description

Vanity fair “the winning post” horse racing finish, victorian sporting scene, 1888 : a striking large-format vanity fair double-page chromolithograph … Read more Vanity fair “the winning post” horse racing finish, victorian sporting scene, 1888 : a striking large-format vanity fair double-page chromolithograph titled the winning post, published in london by vincent brooks, day & sons on december 8, 1888. This lively sporting caricature captures the thrilling climax of a horse race, depicting a group of celebrated jockeys racing neck-and-neck toward the finish line. Executed in the distinctive style associated with late victorian vanity fair prints, the composition combines sharp observation, subtle humour, and elegant draughtsmanship with the dynamic energy of equestrian sport. The scene presents a remarkable group portrait of well-known racing figures of the period, including judge clark, sir john astley, j. Osborne, tom cannon, j. Watts, e. Webb, f. Barrett, g. Barrett, w. Robinson, and f. Rickaby. Rather than isolating a single subject, the artist creates a narrative panorama, capturing the tension and excitement of the race’s decisive moment. The forward movement of the horses, elongated stride lines, and expressive caricatured likenesses convey both speed and personality, making the image highly engaging visually and historically. Vanity fair sporting prints hold enduring appeal for collectors due to their blend of portraiture, satire, and documentary value. Horse racing was central to british social and sporting culture in the late nineteenth century, and this print reflects both aristocratic leisure and the professionalization of racing during the victorian era. The chromolithographic technique enhances the rich colour palette of jockey silks and horse forms, producing a vibrant yet refined aesthetic that works equally well in traditional interiors, country houses, or contemporary spaces seeking classic sporting imagery. Large double-page supplements such as this were issued in limited numbers compared to standard weekly plates, adding to their desirability among collectors. The energetic composition and horizontal format make it particularly effective as a statement piece for equestrian enthusiasts, racing historians, or interior designers seeking authentic victorian sporting art. Condition report: good antique condition consistent with age. Rare without folding line. Light age toning and minor handling wear to margins; colours remain strong and attractive. Visible plate fold typical for large-format issues. Framing tips: best framed with a generous ivory or warm white mount to balance the wide horizontal composition. A dark walnut or ebonised frame enhances the sporting character and complements the chromolithographic tones. Museum glass recommended for protection and clarity. Technique: chromolithograph maker: published by vanity fair, london; vincent brooks, day & sons litho, 1888 See less