Ferrario, Chinese Ceremonial Processions, Hand-Colored Engravings, 1815, Set of 2

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Chinese Ceremonial Processions, Hand-Colored Engravings from Ferrario, 1815 These two hand-colored copperplate engravings form part of Giulio Ferrario’s influential early … Read more Chinese Ceremonial Processions, Hand-Colored Engravings from Ferrario, 1815 These two hand-colored copperplate engravings form part of Giulio Ferrario’s influential early nineteenth-century publication Le Costume Antico e Moderno (often translated as Le Costume Ancien et Moderne), one of the most ambitious illustrated surveys of global cultures, customs, and material traditions produced during the Enlightenment and early nineteenth century. Engraved by Luigi Giarre and published in Italy in 1815, the plates combine ethnographic observation, decorative design, and scholarly curiosity, offering European audiences a visually compelling interpretation of Chinese ceremonial life and religious practices. Ferrario’s monumental project aimed to document the diversity of world cultures through costume, architecture, ritual, and social customs. At a time when direct travel was limited and information was filtered through missionary accounts, diplomatic reports, and travel narratives, such engravings played a vital role in shaping European perceptions of Asia. These particular compositions depict elaborate ceremonial processions and religious gatherings, rendered with careful attention to costume detail, architectural forms, and ritual staging. Processional scenes featuring figures in richly colored robes, ceremonial parasols, and structured formations reflect European fascination with imperial and religious pageantry in Qing-era China. The engravings balance documentary ambition with decorative appeal. The elegant hand coloring highlights the vivid costumes and ceremonial accessories, while the panoramic format allows for narrative depth and visual rhythm across the compositions. Architectural elements such as bridges, temples, and landscaped settings enhance the theatrical presentation and contribute to their strong decorative presence. As part of Ferrario’s broader encyclopedic vision, these works represent the intersection of Enlightenment curiosity, early ethnographic imagery, and refined Italian engraving craftsmanship. Today, plates from Le Costume Antico e Moderno are appreciated both as historical documents and as visually striking works suitable for collectors, interior designers, and scholars interested in cross-cultural representation. Their combination of scholarly intent and artistic refinement makes them particularly appealing for display, whether individually or as a coordinated pair emphasizing narrative continuity. Condition report: Light age toning and minor scattered foxing consistent with early nineteenth-century paper. Wide margins present. Original embossed blind stamp visible, as issued, with possible light overlap into the image area. Overall strong impressions with fresh hand coloring. Framing tips: These horizontal compositions display beautifully in dark walnut or lacquered frames with generous ivory or warm off-white mats. Consider hanging as a pair aligned on a single baseline to emphasize the panoramic narrative and create a balanced designer-friendly presentation. Technique: Hand-colored copperplate engraving Maker: Luigi Giarre after Giulio Ferrario, Italy, 1815 Keyword block: antique Chinese procession print, Ferrario costume ancien moderne, Chinese ceremony engraving, hand colored copperplate engraving China, Luigi Giarre engraving, early ethnographic print Asia, Qing dynasty costume illustration, antique Asian ceremonial scene, Italian Enlightenment travel illustration, antique ethnographic art, decorative Asian historical print, antique Chinese religious procession, panoramic Asian engraving, antique world costume series, 19th century Asian costume plate, museum quality Asian engraving, Bartele Gallery Asian prints, antique Chinese temple procession art See less