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Antique 16th Century Chinese Ming Dynasty Glazed Pottery Horse and Groom - Rare Cobalt Blue and Turquoise Mingqi
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Antique 16th Century Chinese Ming Dynasty Glazed Pottery Horse and Groom - Rare Cobalt Blue and Turquoise Mingqi
Secure a definitive artifact of the Chinese "Golden Age" with this exceptional 13-inch pottery tomb group dating to the Ming Dynasty (1368–1644). This rare sculptural set depicts a high-ranking attendant or groom meticulously guiding a caparisoned horse, a motif that stands as a paramount symbol of wealth, status, and military authority. The attendant is rendered with remarkable detail, wearing a traditional tall hat and a flowing robe finished in a rare, high-status cobalt blue glaze. Beside him stands a stately steed outfitted with a masterfully detailed saddle blanket, featuring intricate cross-hatched patterns in vibrant turquoise and deep black glazes. This specific piece is distinguished by the extraordinary preservation of these lead-based glazes, which typically degrade significantly over centuries of burial. It serves as an architectural and intellectual focal point, making it an ideal centerpiece for a curated mantle, a professional library, or an investment-grade Asian art gallery.
Historical Significance: The Tradition of Mingqi
In the funerary traditions of the Ming elite, pottery figures known as "mingqi" were commissioned to serve as spiritual substitutes, providing protection, labor, and status for the deceased in the afterlife. These horses were modeled after the famous "Heavenly Horses" of the Ferghana Valley, which were prized by the Chinese imperial court for their strength and stamina. The interaction between the groom and his horse represents the enduring influence of the Silk Road on Chinese culture, highlighting the sophisticated equine stewardship that was essential to 16th-century life. Unlike the more common unglazed terracotta figures of the era, this glazed group was a luxury commission, likely produced in a specialized provincial kiln to mirror the opulence and dignity of the Ming Imperial court.
The Rarity of the Cobalt and Turquoise Palette
What elevates this specific horse and groom group to a "blue-chip" collector’s status is the presence of the cobalt blue and turquoise glazes. During the Ming Dynasty, cobalt was a precious imported commodity, often sourced through trade with Persia, and its use was strictly regulated and reserved for high-status objects. The vibrant turquoise glaze was equally difficult to stabilize during the firing process. To find a 400-year-old tomb figure that retains such a high percentage of these original "cold" and lead-based pigments is a rare occurrence in the antiquities market. These colors remain luminous and deep, offering a level of visual drama that bridges the gap between ancient ritual and contemporary decorative arts.
Specifications and Dimensions
Period: Ming Dynasty (c. 1550–1600)
Origin: China
Medium: Glazed Pottery / Terracotta
Subject: Equestrian, Horse and Groom
Total Height: 13 inches
Base Width: Approx. 9.5 inches
Base Depth: Approx. 4.75 inches
Documentation: Includes original specialist dealer provenance tag
Condition Report
This sculpture is in very good antique condition and stands as a remarkably well-preserved structural survivor. Consistent with its centuries-long burial history, the piece exhibits an authentic earth patina and characteristic mineral encrustations that serve as a hallmark of its 400-year-old origin. There is an uncommonly high percentage of original glaze preservation across the attendant's robe and the horse’s saddle. As is expected with authentic Mingqi, there is some minor loss of the "cold-painted" (unfired) pigments on the unglazed sections of the horse’s face and legs. The integral rectangular base remains sound, and the figures exhibit no significant structural cracks, retaining their original "dignified restraint."
Designer’s Note: Styling Ancient Luxury
Antique Chinese pottery offers a level of "Quiet Luxury" that harmonizes effortlessly with both traditional and modern high-end interiors. This Horse and Groom group is a quintessential styling piece for the "Grandmillennial" aesthetic or a "Dark Academia" study. Because of the vibrant pops of turquoise and cobalt, this artifact looks stunning when set against dark wood cabinetry, leather-bound book collections, or deep charcoal walls. To emphasize its sculptural integrity, designers often place these pieces under a dedicated picture light or inside a glass vitrine. It is a sophisticated wall or tabletop decor choice that signals a worldly, educated perspective and provides a tactile soul to a home of high distinction.
This documented Ming Dynasty Horse and Groom group offers a rare opportunity to acquire a piece of living history. Between the verified chain of professional curation provided by its provenance and the museum-quality glaze preservation, it is an investment-grade artifact that brings the weight of centuries into the modern home. Whether you are an established collector of Asian antiquities or a designer seeking a storied centerpiece with undeniable presence, this 16th-century treasure is ready to serve as the definitive conversation piece for your collection.
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- Dimensions
- 9.5ʺW × 4.75ʺD × 13ʺH
- Period
- 16th Century
- Country of Origin
- China
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Pottery
- Terra Cotta
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Almond
- Condition Notes
- This sculpture is in very good antique condition and stands as a remarkably well-preserved structural survivor. Consistent with its centuries-long … moreThis sculpture is in very good antique condition and stands as a remarkably well-preserved structural survivor. Consistent with its centuries-long burial history, the piece exhibits an authentic earth patina and characteristic mineral encrustations that serve as a hallmark of its 400-year-old origin. There is an uncommonly high percentage of original glaze preservation across the attendant's robe and the horse’s saddle. As is expected with authentic Mingqi, there is some minor loss of the "cold-painted" (unfired) pigments on the unglazed sections of the horse’s face and legs. The integral rectangular base remains sound, and the figures exhibit no significant structural cracks, retaining their original "dignified restraint." less
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