Charles Camoin, Les Deux Femmes au Piano, Etching, 1920s

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Etching "bon à tiré" (good to print) hand signed and noted. Dimension Matted: 56.5x36 cm. A rare and intimate graphic … Read more Etching "bon à tiré" (good to print) hand signed and noted. Dimension Matted: 56.5x36 cm. A rare and intimate graphic composition by one of the key painters of the Fauvist circle, depicting two nude female figures in a private interior. One woman stands leaning against the piano, her hand resting on the keys, while the other embraces her in a tender, suspended moment. The scene is animated by Camoin’s delicate yet expressive line, with finely worked cross-hatching that creates a soft atmospheric depth, particularly in the drapery and shadowed background. Printed with generous margins, this impression retains the artist’s refined balance between spontaneity and structural clarity, characteristic of Camoin’s discreet but highly personal engagement with printmaking. Generally ver good condition; light toning and scattered foxing/spotting to the sheet (as visible), with wide margins. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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