After Bernard de Montfaucon, Classical Relief Frieze Bacchic Procession, 1721, Engraving

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Title: Monumental Classical Relief Frieze – Bacchic Procession, Montfaucon, 1721 : This large-format engraving is conceived as an architectural object … Read more Title: Monumental Classical Relief Frieze – Bacchic Procession, Montfaucon, 1721 : This large-format engraving is conceived as an architectural object rather than a small illustrative print. The composition unfolds as a continuous classical relief frieze, populated by mythological and allegorical figures derived from celebrated Roman sculptures. Its strong horizontal format and rhythmic procession deliberately echo ancient marble friezes intended to command space within temples, villas, and ceremonial interiors. Published in 1721 for Bernard de Montfaucon’s Antiquity Explained and Represented in Sculptures (English edition, London), the plate functions as a condensed museum wall: multiple antique sources unified into a single, visually powerful decorative statement. The central sculptural relief dominates the sheet, with flowing drapery, dynamic gestures, and intertwined figures that read clearly from across a room. The appeal of this print lies in scale and proportion. Printed on a generous sheet and designed to be read horizontally, it is ideally suited for placement above a sofa, console, or sideboard, or along a long corridor wall. When framed with wide margins, it performs like a piece of architectural ornament rather than a conventional work on paper. The slightly softened impression, characteristic of large early 18th-century copperplate engravings, enhances the sculptural quality of the imagery. Instead of sharp graphic linework, the surface reads as cohesive and stone-like, reinforcing the illusion of carved relief and lending warmth and depth to the composition. This makes it especially successful in refined interiors where atmosphere and presence are more important than fine detail. For designers and collectors, this is a statement work: scholarly, decorative, and commanding in scale, bridging Grand Tour classicism and contemporary interior design. Condition Good antique condition. Light overall toning and gentle age-related softness to the impression, consistent with early 18th-century copperplate engravings. Central vertical fold as issued. No major losses or repairs. Plate mark visible. Framing tips Best presented with generous margins. A wide off-white or warm stone-colored mat enhances the architectural effect. Frames in dark walnut, ebonized wood, muted gilt, or slim black metal all work well depending on interior style. Technique Engraving Maker After Bernard de Montfaucon, published in London, 1721 See less