Asymmetrical Fumè Mirror attributed to Max Ingrand for Fontana Arte, Italy, 1958

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A striking asymmetrical wall mirror designed by max ingrand for fontana arte in 1958, a refined expression of post-war italian … Read more A striking asymmetrical wall mirror designed by max ingrand for fontana arte in 1958, a refined expression of post-war italian design where glass, light, and geometry converge with poetic clarity. A striking asymmetrical wall mirror designed by max ingrand for fontana arte in 1958, a refined expression of post-war italian design where glass, light, and geometry converge with poetic clarity. This sculptural mirror is composed of an outer asymmetrical ring in smoked (fumè) glass, framing a suspended central mirror that appears to float within the composition. The two elements are held together by discreet brass clamps, whose warm tone creates a subtle yet deliberate contrast with the cool, smoky transparency of the glass. The layered construction enhances depth and shadow, giving the piece a strong architectural presence while maintaining an elegant visual lightness. The rear retains its original wooden backing and bears the original galvanit fontana / luigi fontana label, which reads: “galvanit is a crystal mirror with a copper protection that guarantees its durability,” confirming the authenticity of the piece. The hardware and fittings show a natural patina consistent with age, reinforcing its originality and historical integrity.

dimensions: height: 79 cm width: 59 cm central mirror: 40 cm height × 33 cm width

an iconic and highly decorative mirror, exemplary of max ingrand’s mastery in combining organic asymmetry with modernist rigor. A timeless collector’s piece, ideal for refined interiors and connoisseurs of mid-century italian design. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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