Details
Description
Historical Oil Painting Masterpiece Portrait of Louisa Cooke and “Mr. Quiz”: Home Before Trafalgar Battle
Regency-era portrait with Trafalgar provenance, …
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Historical Oil Painting Masterpiece Portrait of Louisa Cooke and “Mr. Quiz”: Home Before Trafalgar Battle
Regency-era portrait with Trafalgar provenance, circa 1802
British Provincial School, in the manner of George Romney (1734–1802)
Overview
A rare, intimate early-19th-century portrait depicting Louisa Cooke outdoors in a white empire-line dress with red slippers, accompanied by her named dog, “Mr. Quiz,” held on a lead. Beyond its visual charm, this is a genuinely narrative-led work: Mr. Quiz is documented by name in family correspondence, creating an unusually personal and historically anchored portrait.
Medium and Size
Medium: Oil on panel
Panel size: 26.6 cm × 20.3 cm
Composition and Style
A poised full-length figure set within a softly atmospheric landscape. The luminous white dress is contrasted against a darker ground, with careful attention to Regency costume detail and a direct, quietly expressive gaze. The restrained modelling and sincere finish align with refined British provincial portrait practice around 1800, closely related in spirit to the Romney generation’s domestic elegance and human scale.
Historical Context
Louisa Cooke was the wife—and later widow—of Captain John Cooke, RN (1762–1805), commander of HMS Bellerophon, renowned for its prominent role at the Battle of Trafalgar, where Captain Cooke was killed. HMS Bellerophon later became famous as the ship on which Napoleon surrendered.
This portrait captures the “home front” before history turns—an emotionally resonant counterpoint to the public narrative of naval warfare.
Documented Companion: “Mr. Quiz”
Mr. Quiz is not merely a companion animal included for effect; he is recorded by name in an 1805 letter from Captain John Cooke to Louisa:
“I hope Mr Quiz is very well… and that you don’t intend to take him to Exeter with you. I think you should leave him at home to guard the House.”
This verifiable personal detail places the painting in a rare category of portraiture where sitter and companion are preserved in both paint and surviving text.
Attribution
British Provincial School, circa 1802
In the manner of George Romney (1734–1802)
Signed: Not signed (typical for provincial and itinerant British portrait practice of the period)
Frame
Recently fitted in a gilt moulded Larson-Juhl traditional frame:
Frame size: 40.0 cm (H) × 33.3 cm (W) × 4.5 cm (D)
Glazed with Artglass AR 70 for enhanced clarity and museum-quality display protection
Provenance
Louisa Cooke (Captain Cooke’s widow); thence by descent until 1961/62; thereafter private collection; Herbert Evans & Co. Ltd., 139 Commissioner Street, Johannesburg (label verso); later handled by Sloane Street Auctions (London); curated by Cheshire Antiques Consultant LTD; exhibited at the Famous Lord Hill Museum.
Verso bears chalk inventory/handling numbers “262” and faint “804.”
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- Dimensions
- 13.11ʺW × 1.77ʺD × 15.74ʺH
- Styles
- Portraiture
- Frame Type
- Framed
- Period
- Early 19th Century
- Country of Origin
- United Kingdom
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Glass
- Oil Paint
- Wood
- Condition
- Good Condition, Restored, Some Imperfections
- Color
- White
- Condition Notes
- Condition Professionally cleaned and restored by a Fine Art Conservator based at Williamson Art Gallery & Museum. Treatment included surface … moreCondition Professionally cleaned and restored by a Fine Art Conservator based at Williamson Art Gallery & Museum. Treatment included surface cleaning, varnish removal, consolidation and filling of losses, careful retouching with stable conservation materials, and re-varnishing using conservation-grade synthetic resin systems. The panel retains expected age characteristics, now presenting with improved clarity, tonal unity, and excellent legibility. less
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