Details
Description
Antique Hyena Hunt on the Nile Moonlight Scene from Maximilian, 1846 This atmospheric and dramatic 19th-century Orientalist engraving depicts a … Read more Antique Hyena Hunt on the Nile Moonlight Scene from Maximilian, 1846 This atmospheric and dramatic 19th-century Orientalist engraving depicts a nocturnal hyena hunt along the banks of the Nile, illuminated by a glowing full moon breaking through swirling clouds. A group of armed hunters gathers on jagged rocks at the river’s edge, their figures silhouetted against the shimmering water. Spears are raised in tense anticipation as the predators emerge in the distance, creating a powerful narrative of danger, vigilance, and survival. The scene is framed by monumental ruins carved into the rock face, evoking the ancient architectural legacy of Egypt and reinforcing the timeless quality of the landscape. The Nile flows dark and reflective beneath the moonlight, while distant figures and animals move cautiously along the far bank. The interplay between light and shadow gives the entire composition a haunting, almost theatrical mood rarely seen in daylight Orientalist scenes. This engraving originates from the important travel publication documenting the oriental journey of Duke Maximilian of Bavaria, with drawings executed by Heinrich von Mayr and explanatory text by Dr. Sebastian Fischer. Von Mayr demonstrates exceptional mastery of night scenery here, using subtle tonal transitions and controlled contrasts to convey both depth and psychological tension. The figures are rendered with restraint, allowing the dramatic landscape and moonlit sky to dominate the emotional impact of the image. Historically, nocturnal hunting scenes such as this appealed strongly to 19th-century European audiences, combining the fascination with exotic wildlife, perceived danger, and romanticized notions of the Orient as a land of mystery and adventure. Hyenas in particular held symbolic weight as creatures associated with the wild, the unknown, and the boundary between civilization and wilderness. Artistically, this plate is one of the most cinematic in the entire Maximilian series. The steep diagonal of the rocky outcrop, the luminous disc of the moon, and the mirrored reflections on the water create a carefully balanced composition of tension and calm. It is a striking example of Romantic Orientalism infused with chiaroscuro and nocturnal atmosphere. Today, this engraving holds exceptional appeal for collectors of Orientalist art, Middle Eastern hunting scenes, moonlight landscapes, and 19th-century European travel illustration. Its dark tonal beauty and dramatic storytelling also make it a superb interior statement piece for libraries, studies, private collections, and atmospheric hospitality interiors. Condition report: Good antique condition. Light overall age-related toning and scattered foxing visible mainly in the margins and outer areas. Minor edge wear consistent with age. The engraved image remains strong with excellent tonal depth. Plate mark faintly visible. Framing tips: A wide ivory, soft grey, or parchment-colored mat will heighten the contrast of the night scene without overpowering it. A black, dark walnut, or deep charcoal frame will enhance the dramatic presence and reinforce the nocturnal mood. UV-protective glass is recommended. Technique: Steel engraving Maker: Heinrich von Mayr, Germany, 1846 See less
- Dimensions
- 14.96ʺW × 19.69ʺH
- Art Subjects
- Figure
- Period
- Mid 19th Century
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Paper
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. Good antique condition. … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. Good antique condition. Light overall age-related toning and scattered foxing visible mainly in the margins and outer areas. Minor edge wear consistent with age. The engraved image remains strong with excellent tonal depth. less
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