After James Sowerby, Botanical Illustrations of Meadow & Pasture Grasses, 1830s, Engravings, Set of 8

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Set of 8 Antique Botanical Engravings of Meadow & Pasture Grasses, c.1830 This elegant group of eight early 19th-century botanical … Read more Set of 8 Antique Botanical Engravings of Meadow & Pasture Grasses, c.1830 This elegant group of eight early 19th-century botanical engravings presents a diverse selection of meadow, pasture, and marsh grasses, each drawn with the meticulous detail typical of English scientific illustration of the period. Published circa 1830, the plates capture the subtle structure and graceful forms of several notable species, including *Briza media* (Quaking Grass), *Dactylis glomerata* (Cock’s-Foot Grass), *Cynosurus cristatus* (Crested Dog’s-Tail), *Cynosurus echinatus*, and fine-textured *Festuca* varieties such as *Festuca ovina*, *Festuca pratensis*, and *Festuca duriuscula*. Each engraving combines delicate linework with soft hand coloring, highlighting the characteristic seed heads and slender leaf blades that define these grasses. The plates also include close-up anatomical details—seed heads, florets, spikelets—engraved with scientific precision and arranged harmoniously around the main specimen. The combination of subtle greens, pale ochres, and original plate impressions gives the set a refined, naturalistic aesthetic. These engravings display beautifully as a coordinated series. Their vertical format and consistent style make them ideal for gallery walls, botanical-themed interiors, conservatories, kitchens, offices, or any space seeking a serene and organic decorative presence. When framed in a grid or line, the rhythmic silhouette of grasses creates a calm, airy visual effect. Condition Report: Good antique condition with expected age toning, light foxing, and minor edge wear consistent with early 19th-century paper. Plate marks cleanly visible on all sheets. No tears or repairs. Coloring retains its delicate original character. Framing Tips: For a fresh, natural look, mount with warm white or ivory mats and simple light-wood frames such as oak, birch, or ash. For a more classical presentation, slim gilt frames work beautifully and elevate the fine engraved details. Leave space to showcase the plate mark for added authenticity. Technique: Copperplate engraving with original hand coloring Maker: James Sowerby, London, c.1830 See less