Details
Description
Caryatids of the Institut de France – Engraving by Louis-Pierre Baltard, c.1800 An exquisite architectural engraving by Louis-Pierre Baltard (1764–1846), … Read more Caryatids of the Institut de France – Engraving by Louis-Pierre Baltard, c.1800 An exquisite architectural engraving by Louis-Pierre Baltard (1764–1846), titled Tribune et Cariatides de la salle de l’Institut, published in Paris around 1800. This print depicts the monumental caryatids adorning the grand hall of the Institut de France, representing one of the most refined examples of neoclassical architecture and sculpture in late 18th-century France. The engraving captures a group of elegantly draped female figures supporting a richly ornamented entablature, inspired by the classical models of the Erechtheion on the Athenian Acropolis. Baltard’s meticulous linework emphasizes both the serenity of the figures and the precision of architectural detail, including the finely carved moldings, rosettes, and coffered ceiling. The caryatids, each subtly varied in pose and expression, embody the ideals of grace and dignity that were central to neoclassical aesthetics. Louis-Pierre Baltard, renowned architect and engraver, trained under Percier and Fontaine and became celebrated for his architectural renderings of Parisian monuments. His engravings are not only technical achievements but also artistic celebrations of French cultural identity during a period of revival in classical design. This particular subject—taken from the Salle des Cariatides of the Institut de France—reflects Baltard’s fascination with balance, proportion, and sculptural harmony. The Institut de France, established in the former Collège des Quatre-Nations, became a symbol of French intellectual and artistic achievement. Baltard’s print preserves this important architectural moment with remarkable clarity and elegance, making it both an art object and a historical document of neoclassical Paris. Condition report: Fine impression with visible plate mark and full margins. Moderate age toning and scattered foxing consistent with age, mainly in the margins. Slight wear to edges, one small tear at lower edge not affecting the image. Framing tips: A cream or light ivory mat with a dark wood or black neoclassical frame will beautifully complement the engraving’s tonal depth and emphasize the symmetry of the architectural composition. Perfect for interiors with academic, neoclassical, or grand décor themes. Technique: Engraving Maker: Louis-Pierre Baltard, Paris, circa 1800 See less
- Dimensions
- 22.83ʺW × 16.93ʺH
- Country of Origin
- France
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Paper
- Condition
- Unknown, Some Imperfections
- Color
- Black
- Condition Notes
- Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal … moreGood — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs\. Moderate age toning and scattered foxing, Slight wear to edges, 1 small tear at lower edge less
Returns & Cancellations
Return Policy - All sales are final 48 hours after delivery, unless otherwise specified in the description of the product.
Related Collections
- Ross Bleckner Original Prints
- Tatiana Alida Original Prints
- Greg Copeland Original Prints
- Clay Walker Original Prints
- Spray Paint Original Prints
- Red Grooms Original Prints
- Carrie Bergey Original Prints
- Balmain Original Prints
- Chaim Gross Original Prints
- Gorman Original Prints
- William Meyerowitz Original Prints
- Teak Original Prints
- Leonardo Nierman Original Prints
- Raffia Original Prints
- Botanical Prints
- Japanese Woodblock Prints
- Woodblock Prints
- Bird Prints
- Framed Prints
- Screen Prints
- Black and White Prints
- Thomas McKnight Original Prints
- Classical Greek Original Prints
- Piero Fornasetti Original Prints
- Arthur Secunda Original Prints