Details
Description
This hand-sculpted ceramic bust is a striking example of Southwestern studio art, finished in a rich verde blue green glaze …
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This hand-sculpted ceramic bust is a striking example of Southwestern studio art, finished in a rich verde blue green glaze with beautiful tonal variations and a subtly mottled surface. Sourced directly from the esteemed Jonathan Parks estate in Santa Fe, this expressive piece carries the soulful, slightly surreal character of mid-century and artisan-crafted sculpture often found in New Mexico’s renowned art communities.
The sculptor’s hand is visible in every detail—the elongated nose, softly modeled lips, stylized ears, expressive brow line, and intentionally irregular contours. The bust’s hand-thrown clay body, visible from the unglazed underside, adds authenticity and tactile presence. Age-related kiln cracks, glaze skips, and small base losses are typical for older studio ceramics and contribute to the piece’s charm and provenance.
Pieces of this scale and personality are strongly associated with Santa Fe’s influential 20th-century art scene, where potters and sculptors embraced organic imperfection, figurative abstraction, and richly pigmented glazes.
This work is a standout for collectors of:
Southwestern art
Studio pottery
Figurative sculptures
Modern rustic interiors
Wabi-sabi ceramic forms
Estate-sourced decorative art
Because it was part of the Jonathan Parks estate, a Santa Fe collector known for his deep ties to local artists, galleries, and historical Southwestern objects, this bust holds elevated provenance uncommonality for contemporary ceramics.
Key Features:
Hand-sculpted ceramic bust with expressive, stylized features
Rich green/teal glaze with natural variation
Hollow interior typical of studio pottery
Visible age lines, firing imperfections, and base wear consistent with vintage condition
Sourced from the Jonathan Parks estate in Santa Fe, New Mexico
Unique, one-of-a-kind artisan object
Provenance:
Estate of Jonathan Parks, Santa Fe, New Mexico
Jonathan Parks was known for curating collections that blended fine art, Santa Fe modernism, and iconically Southwestern handcrafted pieces. His estate included works from regional potters, sculptors, and artists associated with the high-desert creative community. This bust was acquired directly from his personal collection.
Styling Ideas
This sculptural head is a dramatic and sophisticated addition to a variety of interiors:
Old World and Rustic:
Place it atop a stack of antique art books, next to patinated brass candlesticks or a carved French console. The green glaze pairs beautifully with dark walnut and vintage leather.
Santa Fe Modern:
Display it on a plaster shelf, adobe niche, or kiva-style mantel. It complements earthen textures, terracotta pottery, Navajo textiles, and natural stone.
Minimalist / Wabi-Sabi
Set it on a floating shelf or pedestal plinth. Its hand-formed irregularities and soft glaze shifts make it a perfect counterpoint for neutral palettes and organic materials.
Gallery Wall or Bookshelf Moment:
Anchor a vignette with bold sculptural presence. Its unusual profile and expressive face draw the eye immediately.
Condition:
Vintage studio condition with expected imperfections:
Small chips along the lower rim
Natural firing lines near the brow and base
Underside shows original unglazed clay
Stable age crack at the rear of the neck
These do not affect stability and are consistent with studio ceramic works of this type.
Specifications:
10" Tall
7.5" Wide
8" Deep
13.3 lbs
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- Dimensions
- 7.5ʺW × 8ʺD × 10ʺH
- Period
- Late 20th Century
- Country of Origin
- United States
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Ceramic
- Paint
- Condition
- Good Condition, Original Condition Unaltered, Some Imperfections
- Color
- Dark Green
- Condition Notes
- Vintage studio condition with expected imperfections: Small chips along the lower rim Natural firing lines near the brow and base … moreVintage studio condition with expected imperfections: Small chips along the lower rim Natural firing lines near the brow and base Underside shows original unglazed clay Stable age crack at the rear of the neck These do not affect stability and are consistent with studio ceramic works of this type. less
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