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Description
Measured Harmony: Edward Carter Preston (1886–1965)
Domestic Kitchen Geometry — Jug, Pot & Bottle (A Cubist Meditation in Watercolour)
Subject …
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Measured Harmony: Edward Carter Preston (1886–1965)
Domestic Kitchen Geometry — Jug, Pot & Bottle (A Cubist Meditation in Watercolour)
Subject & Medium
Medium: Watercolour on paper
In Domestic Kitchen Geometry — Jug, Pot & Bottle, Edward Carter Preston transforms the quiet charm of domestic still life into an exercise in measured abstraction. Through the prism of Cubist geometry, a jug, pot, spoon, and bottle become instruments in a study of form, light, and balance.
Preston’s sculptural discipline is evident throughout: each curve and contour is articulated with architectural clarity, yet softened by the delicate translucence of watercolour. His composition marries structure with sensitivity — turning everyday objects into a meditation on order, calm, and design.
This is not simply a still life; it is a symphony of proportion and restraint — an artwork where geometry breathes, and the ordinary achieves quiet transcendence.
Composition & Technique
Preston’s visual language is one of disciplined geometry and lyrical control.
The forms unfold through interlocking ellipses, cylinders, and angled planes, creating a rhythmic dialogue between solidity and space.
The jug and pot establish compositional gravity
The bottle provides vertical counterbalance
The spoon links the viewer’s eye across the spatial plane
His watercolour technique reveals both precision and poise:
Transparent layers build atmosphere and subtle volume
Fine linear contours assert structure without rigidity
Tonal gradation replaces heavy shadow, evoking soft, diffused light
Palette:
A restrained harmony of ochres, sand tones, and earthen hues conveys warmth, balanced by celadon, pale teal, soft greys, and muted blues. The result is serene and introspective — modernist in sensibility, yet deeply humane.
Preston’s geometry is not cold abstraction; it is form infused with feeling — a visual hymn to simplicity, structure, and serenity.
About the Artist
Edward Carter Preston (1886–1965) was among Britain’s most accomplished and multifaceted artists. Born in Liverpool and trained at the Liverpool School of Art, he earned distinction as a sculptor, painter, and medallist.
He gained national acclaim as the designer of the First World War memorial plaques (the “Dead Man’s Penny”) and for his monumental carvings and reliefs at Liverpool Cathedral, commissioned by Sir Giles Gilbert Scott.
Though renowned for sculpture, Preston’s watercolours and designs reveal his enduring fascination with form, proportion, and harmony. His works of the 1920s, such as Domestic Kitchen Geometry, offer a more introspective expression — fusing analytical structure with emotional warmth.
Signature
Initialled E.Cr.P. lower left — a quiet, deliberate mark consistent with Preston’s refined compositional order.
Framing
Frame Dimensions: 80.5 cm (W) × 66.5 cm (H) × 5 cm (D)
Presented in a Larson-Juhl distressed-finish rustic frame, echoing the artwork’s tonal warmth and geometric poise. The frame’s surface features delicately distressed detailing — chipped and crackled textures that complement the painting’s timeless modernist restraint.
Fitted with AR70 museum-grade anti-reflective glass, ensuring:
99% UV protection
Brilliant clarity with minimal glare
Archival preservation for longevity
The frame’s textured patina harmonises with the painting’s equilibrium — a balance between structure, depth, and quiet humanity.
Provenance
From a direct relative of the artist
Family provenance, never previously offered for sale
Label verso from a respected North West auction house confirming professional documentation
Curated and catalogued by Cheshire Antiques Consultant Ltd
Exhibited at the Famous Lord Hill Museum among key British modernist and interwar works
This impeccable provenance underscores the work’s authenticity, exhibition history, and scholarly importance.
Why You’ll Love It
Domestic Kitchen Geometry embodies balance, intellect, and serenity — a painting as deliberate as it is moving.
You’ll admire it for its:
Refined Cubist geometry softened by luminous colour
Modernist clarity infused with warmth
Direct family provenance and museum exhibition record
Expert framing and conservation presentation
Enduring calm — art as measured meditation
A masterpiece of stillness and form: the poetry of proportion made visible.
See less
- Dimensions
- 31.69ʺW × 1.96ʺD × 26.18ʺH
- Styles
- Cubism
- Frame Type
- Framed
- Period
- 1920s
- Country of Origin
- United Kingdom
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Glass
- Paper
- Watercolor
- Wood
- Condition
- Original Condition Unaltered, Needs Restoration
- Color
- Teal
- Condition Notes
- Condition Stable pigments with strong chromatic integrity The paper shows signs of aging in some areas, with some mild discolouration … moreCondition Stable pigments with strong chromatic integrity The paper shows signs of aging in some areas, with some mild discolouration — slightly yellowed or browned areas — indicating natural oxidation or light exposure over time Professionally mounted and conservation-framed using acid-free materials and AR70 glass Ready for immediate display. The frame features an applied distressed surface with deliberate chipped and cracked detailing, enhancing its antique aesthetic and complementing the painting’s timeless modernist warmth. less
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