Thomas Holloway after Knapton, Archibald Bower 18th-Century Line Engraving

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Archibald Bower – 18th-Century Line Engraving by Thomas Holloway after Knapton : This finely detailed line engraving depicts Archibald Bower … Read more Archibald Bower – 18th-Century Line Engraving by Thomas Holloway after Knapton : This finely detailed line engraving depicts Archibald Bower (1686–1766), a prominent Scottish historian known for his extensive multi-volume History of the Popes. The engraving was executed by Thomas Holloway (1748–1827), a respected English engraver celebrated for his precise portrait work, and is based on an original painting by George Knapton (1698–1778), a notable English portraitist of the Georgian period. Bower is portrayed in a half-length pose with his right hand raised to his chest, suggesting conviction or scholarly sincerity. His curled wig, open coat, and lace cuffs reflect the refined fashion of the 18th-century intellectual class. The setting is understated, possibly a study or library, and allows the focus to remain on Bower’s expressive face and elegant posture. Thomas Holloway’s mastery of the burin is evident in the fine cross-hatching, delicate linework, and subtle tonal gradations that give the portrait both clarity and depth. The print would have been intended for collectors, historians, or inclusion in illustrated biographical works—a popular practice during the Enlightenment, when portraits of scholars, statesmen, and thinkers were widely circulated and revered. Both Holloway and Knapton played key roles in shaping the visual record of Britain's intellectual elite in the 18th century. This print offers not only a likeness of Bower but a glimpse into the aesthetics of neoclassical portrait engraving and the visual culture of Enlightenment scholarship. Condition report: Very good condition with strong, clean impression. No tears, foxing, or staining visible. Professionally mounted in a cream-colored mat. Paper and print quality consistent with early 19th-century impressions. Framing tips: Best suited to a classic black, ebonized, or gold-leaf frame with a neutral ivory or off-white mat. A fine wood frame with an antique finish would also complement the historical character of the engraving. UV-protective glass is recommended. Technique: Line engraving on paper Maker: Thomas Holloway, after George Knapton, England Date: Early 19th century (exact date unknown) See less