Details
Description
Title: "Warrior of Owhyhee: Anthropophage in War Costume, 1785 Engraving" : This evocative print, titled "Anthropophage d'Owhay, costume de guerre," … Read more Title: "Warrior of Owhyhee: Anthropophage in War Costume, 1785 Engraving" : This evocative print, titled "Anthropophage d'Owhay, costume de guerre," portrays a Hawaiian warrior in traditional war attire, standing with a quiver of arrows, a spear, and a feathered headdress. The term "anthropophage," meaning cannibal, reflects 18th-century European misconceptions about Polynesian cultures, though it adds a layer of historical context to the artwork. The warrior’s detailed cloak and strong stance are set against a minimal Hawaiian landscape with mountains, emphasizing his commanding presence. Created by John Webber, the official artist of Captain James Cook’s third voyage (1776–1780), this piece captures a moment from Cook’s first European contact with Hawaii. Published in 1785, the print was later reproduced by Pierre Langlumé’s lithography workshop at 4 Rue de l'Abbaye, Paris, as indicated by "lith. de Langlumé r. de l'Abbaye N°4." Langlumé, active from 1818, used lithography to reproduce earlier engravings, preserving Webber’s copperplate engraving technique, which showcases fine linework in the warrior’s attire and weaponry. The grayscale palette highlights the intricate details, making this print a fascinating blend of ethnographic study and 18th-century art. It reflects the era’s curiosity about Polynesian cultures during the Age of Exploration, offering a glimpse into Hawaiian traditions before significant Western influence. Ideal for collectors of Polynesian history or exploration art, this print bridges cultural narratives from 1785 to its reproduction in the early 19th century by Langlumé’s workshop, providing a rich historical artifact of cross-cultural encounters. Condition Report: The print shows light foxing on the margins, with slight yellowing throughout. A small crease is visible in the lower right corner. No tears or significant damage noted. Overall, the image is clear, rated good for its age. Framing Tips: Use a single mat in a warm beige to complement the paper’s tone. A dark mahogany frame will enhance the historical feel. Opt for UV-protective glass to prevent fading, and avoid direct sunlight to preserve the delicate engraving. See less
- Dimensions
- 10.63ʺW × 14.17ʺH
- Art Subjects
- Figure
- Period
- Late 18th Century
- Item Type
- Vintage, Antique or Pre-owned
- Materials
- Paper
- Condition
- Good Condition, Unknown, Some Imperfections
- Color
- Gray
- Condition Notes
- Very Good — This vintage item has no defects, but it may show slight traces of use\. The print shows … moreVery Good — This vintage item has no defects, but it may show slight traces of use\. The print shows light foxing on the margins, with slight yellowing throughout. A small crease is visible in the lower right corner. No tears or significant damage noted. Overall, the image is clear, rated good for its age. less
Returns & Cancellations
Return Policy - All sales are final 48 hours after delivery, unless otherwise specified in the description of the product.
Related Collections
- Ross Bleckner Original Prints
- Tatiana Alida Original Prints
- Greg Copeland Original Prints
- Clay Walker Original Prints
- Spray Paint Original Prints
- Red Grooms Original Prints
- Balmain Original Prints
- Carrie Bergey Original Prints
- Chaim Gross Original Prints
- Gorman Original Prints
- William Meyerowitz Original Prints
- Teak Original Prints
- Raffia Original Prints
- Leonardo Nierman Original Prints
- Crystal Original Prints
- Botanical Prints
- Japanese Woodblock Prints
- Woodblock Prints
- Bird Prints
- Framed Prints
- Screen Prints
- Black and White Prints
- Thomas McKnight Original Prints
- Classical Greek Original Prints
- Piero Fornasetti Original Prints