Ferri, Annunciation, 1600s, Oil on Canvas

Details

Description

Ciro Ferri (Rome, 1634 – Rome, 1689) Attributed to

Annunciation (probably a preparatory sketch)

Oil on canvas
61 x 41 … Read more Ciro Ferri (Rome, 1634 – Rome, 1689) Attributed to

Annunciation (probably a preparatory sketch)

Oil on canvas
61 x 41 cm. - Framed 79 x 59 cm.

The work, certainly commissioned as an object of private devotion, depicts the Annunciation to the Virgin Mary, an episode from the Gospel set here on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, portrayed with unearthly beauty, and the Virgin; Here we see her absorbed in reading a prayer book, her eyes humbly lowered in a sign of devotion, while a little cherub hands her white lilies, symbols of purity and chastity.

At the top of the composition is the austere image of God the Father, with the dove radiating light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering among the clouds filled with intense flashes and plays of light, in full Baroque style.

Analysis of the stylistic and figurative characteristics of our painting shows that it belongs to the Roman school of the 17th century, distinguished by its refined style and ability to blend the Baroque language, by definition opulent, with elements of classical ancestry.

In particular, observing its iconographic characteristics and drawing style, we find it fitting to compare it to the style of Ciro Ferri (Rome 1633-1689), one of Pietro da Cortona's best students, who took up his mastery of drawing and color, but embraced a more classical and delicate style.

The structure of the painting clearly shows that we are looking at a precious preparatory sketch, presumably a study for a fresco or a larger altarpiece; this suggests that the final work was intended to decorate the span of a church or a private chapel.


ADDITIONAL INFORMATION:

The painting is sold complete with an attractive frame and comes with a certificate of authenticity and a descriptive iconographic card. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity



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