R. Bowyer, Smolensk City View, Hand-Coloured Aquatint, 1814

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Smolensk city view – hand-coloured aquatint by r. Bowyer, pall mall, 1814 this finely executed hand-coloured aquatint presents a panoramic … Read more Smolensk city view – hand-coloured aquatint by r. Bowyer, pall mall, 1814 this finely executed hand-coloured aquatint presents a panoramic view of smolensk, a historic city in western russia, published by rudolph ackermann’s contemporary and fellow london print publisher, robert bowyer, in 1814. The scene is taken from a vantage point along the dnieper river, with the city rising gently in the distance. Domed church towers and fortified walls are visible on the horizon, testifying to smolensk’s long-standing role as a strategic stronghold. The foreground depicts a peaceful riverside setting with small sailing craft navigating the calm waters, while on the right, a group of figures in traditional russian dress stand beneath tall trees, accompanied by a reclining figure and a dog. The print was issued during a period of heightened british interest in russia, following the napoleonic wars and the pivotal 1812 french invasion of russia, in which smolensk played a significant role as a fiercely contested city. Bowyer’s publication was likely part of a series documenting key locations tied to the campaigns and the landscapes of the russian empire. The work’s aquatint technique, with delicate hand-colouring, adds atmospheric depth to the sky and soft gradations to the rolling hills and architectural features. Robert bowyer (1758–1834) was a prominent london publisher best known for his high-quality historical and military prints. His works were often aimed at collectors interested in contemporary political and military events, produced to exacting standards. This view of smolensk is a fine example of his collaborations with skilled aquatint engravers and colourists, bringing together topographical accuracy with artistic charm. Condition: good for age. Light overall toning, minor handling marks to margins, and faint foxing in places. Original plate mark visible. Colours remain fresh and well-preserved. Framing tips: a dark wood or mahogany frame with a cream or light beige archival mat will enhance the warm tones of the landscape and sky. A thin gilt fillet inside the mat could complement the historical nature of the piece. Technique: hand-coloured aquatint maker: r. Bowyer, london, 1814 See less